The Sarantine Mosaic

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Authors: Guy Gavriel Kay
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long since died to a breath, most of the City asleep, but some not so. Among these, the Holy Order of the Sleepless Ones in their austere chapels, who believed—with fierce and final devotion—that all but a handful of them had to be constantly awake and at prayer through the whole of the night while Jad in his solar chariot negotiated his perilous journey through blackness and bitter ice beneath the world.
    The bakers, too, were awake and at work, preparing the bread that was the gift of the Empire to all who dwelt in glorious Sarantium. In winter the glowing ovens would draw people from the darkness seeking warmth— beggars, cripples, streetwalkers, those evicted from their homes and those too new to the Holy City to have found shelter yet. They would move on to the glassmakers and the metalsmiths when the grey, cold day came.
    In broiling summer now, the nearly naked bakers worked and swore at their ovens, slick with sweat, quaffing watery beer all night, no attendants at their doors save the rats, scurrying from cast light into shadow.
    Torches burning on the better streets proclaimed the houses of the wealthy, and the tread and cry of the UrbanPrefect’s men warned the illicit to take a certain care elsewhere in the night city. The roaming bands of wilder partisans—Green and Blue each had their violent cadres—tended to ignore the patrols, or, more properly, a lone patrol was inclined to be prudently discreet when the flamboyantly garbed and barbered partisans careened into sight from one tavern or another.
    Women, save for the ones who sold themselves or patricians in litters with armed escorts, were not abroad after dark.
    This night, however, all the taverns—even the filthiest cauponae where sailors and slaves drank—were closed in response to an Imperial death and an Emperor acclaimed. The shocking events of the day seemed to have subdued even the partisans. No shouting, drunken youths in the loose, eastern clothing of Bassania and the hair-styling of western barbarians could be seen—or heard—slewing through empty streets.
    A horse neighed in one of the faction stables by the Hippodrome, and a woman’s voice could be heard through an open window over a colonnade nearby, singing the refrain of a song that was not at all devout. A man laughed, and then the woman did, and then there was silence there, too. The high screech of a cat in a laneway. A child cried. Children always cried in the darkness, somewhere. The world was what it was.
    The god’s sun passed in its chariot through ice and past howling daemons under the world. The two moons worshipped—perversely—as goddesses by the Kindath had both set, over west into the wide sea. Only the stars, which no one claimed as holy, shone like strewn diamonds over the city Saranios had founded to be the New Rhodias, and to be more than Rhodias had ever been.
    â€˜Oh City, City, ornament of the earth, eye of the world, glory of Jad’s creation, will I die before I see you again?’
    So, Lysurgos Matanias, posted as ambassador to the Bassanid court two hundred years past, longing in his heart for Sarantium even amid the luxurious eastern splendours of Kabadh. Oh City, City .
    In all the lands ruled by that City, with its domes and its bronze and golden doors, its palaces and gardens and statues, forums and theatres and colonnades, bathhouses and shops and guildhalls, taverns and whorehouses and sanctuaries and the great Hippodrome, its triple landward walls that had never yet been breached, and its deep, sheltered harbour and the guarded and guarding seas, there was a timeworn phrase that had the same meaning in every tongue and every dialect.
    To say of a man that he was sailing to Sarantium was to say that his life was on the cusp of change: poised for emergent greatness, brilliance, fortune—or else at the very precipice of a final and absolute fall as he met something too vast for his

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