herself pulled into consciousness in the middle of the night, awaking with a gasp. It was as if someone had reached into her soul and grabbed her to pull her out of her sleep. Her name had been spoken, although how, and by whom, she had no idea. It was the green heart of the summer, and cicadas were calling as heat waves moved through the air. It was a perfect night for dreaming, but Franny felt she had no choice but to answer the call. She left the attic and slipped down the back stairs in her nightgown. She pushed through the screen door and went past the porch, where the wisteria was so twisted children in town swore the vine had been fashioned out of an old manâs arms and legs.
It was pitch dark, and Franny crept forward carefully, doing her best not to trip over the holes the rabbits had dug. When she narrowed her eyes she noted that she wasnât the only one out in the yard. Aunt Isabelle was making lye by pouring water through wooden ashes while talking to herself in a low tone. Now that Frannyâs eyes had adjusted to the dark, she spied a mound of dried lavender on the ground, along with a basket of spices, and a pail of what looked like liquid midnight, but was in fact licorice-infused oil.
âThe best soap is made in March in the dark of the moon. But since youâre here now, weâll do it tonight. Soap must be made by someone in the family. Thatâs why I called you. If you werenât the right person you would have gone on sleeping. But you woke, so the job is yours.â
Isabelle had interrupted a curious dream Franny had been having about a black bird eating from the palm of her hand as she sat on a bench in Central Park. The crow had told her his name, but now that she was awake sheâd forgotten what it was.Sheâd read that Maria Owens was thought to have the ability to turn herself into a crow in order to accomplish her witchery. This conclusion was based on the account of a farmer who had shot at such a bird in his cornfield. The very next day Maria was seen with her arm bandaged.
âI donât see why it has to be me.â Franny was barefoot and the earth felt damp. âJet can do it.â
Isabelle gave her a hard look. Her expression sent a deep chill through Franny. It was to be her, that much was clear.
Franny noticed the book that was kept in the greenhouse had been brought outside. The fat, overstuffed tome reminded her of a black toad, for it was bound in a covering that resembled frog skin, cool to the touch. It was filled with deeply personal information, some too dangerous ever to repeat. If there were no family member to inherit it, it would be burned when the owner died, out of respect and according to tradition. Some called such a collection a Book of Shadows, others referred to it as a Grimoire . By any name it was a treasured text of magic, and was imbued with magical power. Writing itself was a magical act in which imagination altered reality and gave form to power. To this end, the book was the most powerful element of all. If it wasnât yours and you dared to touch it, your hand would likely burn for weeks; small raised lumps would appear, causing a rash that was often impossible to cure.
The journal in the library had been written during the last year of Mariaâs life, but this, her secret book of spells, had been hidden beneath the floorboards of the house. The Grimoire contained instructions on how to craft talismans, amulets, and healing charms. Some formulas were written in ink that was specially made from hazelnuts or madder; others were writtenin the writerâs blood. There were lists of herbs and useful plants; remedies for sorrow, illness, childbirth troubles, jealousy, headache, and rashes. Here was a repository of a womanâs knowledge, collected and passed on.
âThis is where the recipe for our soap came from. They may have the journal Maria wrote in her last year at the library, but weâve kept the
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