The Roy Stories
apartment in a large gray brick building on Hollywood Avenue in Chicago. As soon as we entered the downstairs lobby the stuffiness of the place began to overwhelm me. It was as if Mrs. Kashfi lived in a vault to which no fresh air was admitted. The lobby, elevator, and hallways were suffocating, too hot both in summer, when there was too little ventilation, and in winter, when the building was unbearably overheated. And the whole place stank terribly, as if no food other than boiled cabbage were allowed to be prepared. My mother, who was usually all too aware of these sorts of unappealing aspects, seemed blissfully unaware of them at Mrs. Kashfi’s. The oracle was in residence, and that was all that mattered.
    The worst olfactory assault, however, came from Mrs. Kashfi’s apartment, in the front room where her bird, a blind, practically featherless dinge-yellow parakeet, was kept and whose cage Mrs. Kashfi failed to clean with any regularity. It was in that room, on a lumpy couch with dirt-gray lace doily arm covers, that I was made to wait for my mother while she and Mrs. Kashfi, locked in the inner sanctum of the bedroom, voyaged into the sea of clairvoyance.
    The apartment was filled with overstuffed chairs and couches, dressers crowded with bric-a-brac and framed photographs of strangely dressed, stiff and staring figures, relics of the old country, which to me appeared as evidence of extraterrestrial existence. Nothing seemed quite real, as if with a snap of Mrs. Kashfi’s sorceress’s fingers the entire scene would disappear. Mrs. Kashfi herself was a small, very old woman who was permanently bent slightly forward so that she appeared about to topple over, causing me to avoid allowing her to hover over me for longer than a moment. She had a large nose and she wore glasses, as well as two or more dark green or brown sweaters at all times, despite the already hellish climate.
    I dutifully sat on the couch, listening to the murmurings from beyond the bedroom door, and to the blind bird drop pelletlike feces onto the stained newspaper in its filthy cage. No sound issued from the parakeet’s enclosure other than the constant “tup, tup” of its evacuation. Behind the birdcage was a weather-smeared window, covered with eyelet curtains, that looked out on the brick wall of another building.
    I stayed put on the couch and waited for my mother’s session to end. Each visit lasted about a half hour, at the finish of which Mrs. Kashfi would walk my mother to the doorway, where they’d stand and talk for another ten minutes while I fidgeted in the smelly hall trying to see how long I could hold my breath.
    Only once did I have a glimpse of the mundane evidence from which Mrs. Kashfi made her miraculous analysis. At the conclusion of a session my mother came out of the bedroom carrying a teacup, which she told me to look into.
    â€œWhat does it mean?” I asked.
    â€œYour grandmother is safe and happy,” my mother said.
    My grandmother, my mother’s mother, had recently died, so this news puzzled me. I looked again at the brown bits in the bottom of the china cup. Mrs. Kashfi came over and leaned above me, nodding her big nose with long hairs in the nostrils. I moved away and waited by the door, wondering what my dad would have thought of all this, while my mother stood smiling, staring into the cup.

 
    The Old Country
    My grandfather never wore an overcoat. That was Ezra, my father’s father, who had a candy stand under the Addison Street elevated tracks near Wrigley Field. Even in winter, when it was ten below and the wind cut through the station, Ezra never wore more than a heavy sport coat, and sometimes, when Aunt Belle, his second wife, insisted, a woolen scarf wrapped up around his chin. He was six foot two and two hundred pounds, had his upper lip covered by a bushy mustache, and a full head of dark hair until he died at ninety, not missing a day at his stand till six

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