The Rope: An Anna Pigeon Novel

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of shade where she’d been sitting; she felt the wadded-up map, crunched in her fingers.
    Running was hard, as it often is in dreams. Her thighs ached and her feet struck the ground heavily. A stitch was sewing her ribs to her liver. She slowed to a jog, clutching her side and panting. More screams drew her on. Anna became afraid the woman was in deeper trouble than she could handle.
    Self-preservation, learned from a lifetime in the city, stopped her headlong dash. Anna remembered trying to suck hot dry air through a throat closed from lack of moisture. She could see herself, dark clothes, pale with dust, hands on knees, gasping and thinking maybe this wasn’t something she should get involved with.
    Had she not wanted a drink of water so desperately, she might have lost her courage. She straightened up and, still breathing hard, pushed up a small rise of stone. The rise gave way to a round depression half the size of a tennis court.
    There were four people in it. A tall boy had a girl with long brown hair, wearing cutoff jeans and a bikini top, in a hammerlock, pressing down on her neck. Her arms were flailing. “Stop it,” he was yelling and laughing. “We don’t want to have to hurt you.” A second boy had his back to Anna. She remembered how his muscles rippled as the sun hit the sweat. His shorts were halfway down his butt as if he’d undone the fly to take them off. He was hopping on one foot, laughing like a hyena, trying to pull off his shorts. He staggered and fell. Drunk, she thought. The fall only made him laugh harder. The third boy, not laughing, not undressing, was a plain-looking kid with ragged brown hair and a fury of pimples across a high forehead. He saw Anna and yelled, “Holy shit!”
    The man wrestling with the girl glanced up, locking eyes with Anna. The girl must have hit or clawed him. Letting go of her, he shouted, “Fucking bitch!”
    Staggering, the girl fell on her hands and knees. He kicked her. Fighting to get to her feet, she grabbed at his shorts, her fist closing on the front of them. He bent double. For a heartbeat Anna thought he was going to help her to stand. Instead he grabbed up a fist-sized rock and slammed it into her temple.
    Anna turned and ran.
    The earth lurched and folded beneath her feet, scrub and rock jerking in her peripheral vision. Heat burned up through the soles of her sneakers. A steady strong thud, thud, thud of boots pounded behind her.
    Then nothing, then this hole, the dislocated shoulder and a knot the size of a tennis ball behind her right ear.
    She hadn’t gotten blind drunk and passed out. Bad men had clubbed her from behind. Honor intact, skull not so much. The blow accounted for the patchy memory. “Yay, me,” Anna said.
    “Blunt trauma to the head is the only cause of amnesia I know of outside paperback novels,” Molly once said.
    Long brown hair.
    The girl Anna was disinterring must have been the focus of Buttboy’s attentions. She dug faster. Grit packed the girl’s nostrils. Her lips were parted and sand had been shoved into her mouth; that or she’d tried to breathe after she’d been buried. Her eyes were open, scabbed with grains of sand.
    “Damn, damn, damn.” Curse became mantra and finally made its way from Anna’s mouth to her ears. She stopped her frenzied scooping. Clearing the dirt from the girl’s nose and mouth was not going to save her.
    “Sorry,” Anna said to the corpse. Using the end of her long braid as a whisk broom, she gently swept at the dirt sticking to the eyes and teeth. “Were you alive when they buried you?”
    Ray Milland, Vincent Price, Premature Burial , The Pit and the Pendulum; this girl in the pit—had she awakened to find herself facedown, breathing hard grains of rock into her lungs, sand sandpapering the delicate sclera when she opened her eyes?
    Anna had to look away. Her gaze came to rest on the deflated, wrinkled white blossom of the deadly nightshade.
    “They hit you in the head,” she

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