The Road to Oxiana

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Authors: Robert Byron
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is busy instituting a Firdaussi library in honour of the poet’s millennium next year.
    Zinjan
(5500
ft
.),
October 12th
.—We have been trying, and still are, to reach Tabriz by lorry. So far the journey has not gone according to plan. The lorry was due to leave at four. At half past four the garage sent us in a cab to another garage outside the Kazvin Gate. At five this garage tried to send us off in a broken-down bus, revealing at the same time that there had never been any lorry at all. We therefore hired a car, but resolved before starting to make the first garage disgorge our deposits. This caused a riot. Meanwhile a lorry had become available, at which the driver of the car threatened to go to the police if we forsook him. We did not.
    In Kazvin next morning we hired another car, whose driver refused to lower the hood. When, therefore, he took a dip at forty miles an hour and my forehead came crack against a wooden strut, I gave him a sharp prod in the back. The car stopped dead. We bade him go on. He did so, at ten miles an hour. We bade him go faster. He did so for a little, then slowed down again.
    Christopher
: Faster! Faster!
    Driver
: How can I drive if you all hit me?
    R.B.
: Go on!
    Driver
: How can I drive if the aga doesn’t like me?
    Christopher
: Drive carefully. We don’t dislike you, but we hate dangerous driving.
    Driver
: Alas, how can I drive? The aga hates me. My times are bitter.
    Christopher
: The aga does like you.
    Driver
: How can he if I have broken his head?
    And so on for miles, till we came to a police-post. Here he stopped dead, saying he must register a complaint. There was only one thing to do: complain first. We jumped from the car and strode towards the office. This alarmed the man; for it was evident that if we sought the police with such alacrity they must be on our side instead of his. He suggested going on instead. We agreed.
    The incident was an illustration, and a warning, of the acute horror which Persians feel towards even the pretence of physical violence.
    Mile after mile we pursued a straight line between parallel ranges of mountains. The dome of Sultaniya loomed over the desert. To reach it we had to break down a whole irrigation system. There we found a different Persia. Though but a few miles off the main road, the modern Pahlevi hat was replaced by the old helm-shaped cap that appears in the reliefs at Persepolis. Most of the villagers spoke Turkish. Securing a bowl of curds and a flap of bread as big as a tent from the tea-house, we entered the mausoleum.
    This remarkable building was finished by the Mongol prince Uljaitu in 1313. An egg-shaped dome about 100 feet high rests on a tall octagon, and is enclosed by a stockade of eight minarets which stand on the parapet of the octagon at the corners. The brick is pinkish. But the minarets were originally turquoise, and trefoils of the same colour, outlined in lapis, glitter round the base of the dome. Against the flat desert, pressed about by mud hovels, this gigantic memorial of the Mongol Empire bears witness to that Central Asian virility which produced, under the Seljuks, Mongols, and Timurids,the happiest inspirations of Persian architecture. Certainly, this is façade-architecture: the prototype of the Taj and a hundred other shrines. But it still breathes power and content, while its offspring achieve only scenic refinement. It has the audacity of true invention; the graces are sacrificed to the idea, and the result, imperfect as it may be, represents the triumph of the idea over technical limitations. Much great architecture is of this kind. One thinks of Brunelleschi.
    The inn here is labelled “Grand Hotel—Town Hall”. We have not been wholly dependent on it, since Hussein Mohammad Angorani, the local agent of the Anglo-Persian Oil Company, invited us to supper. He received us in a long white room with a brilliantly painted ceiling; even the doors and windows were covered with white

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