on the fourth day, and the morning on the fifth. That will give you a little recovery time.â
Good God, thought Otto. They think I might keel over halfway through.
But the news that he would be given some time to himself was welcome.
âAnd would it be presumptuous of me to ask what sort of questions you might throw at me? I donât wish to be awkward, but I was hoping for some time to prepare my answers. Iâm not as good at speaking off the cuff as I once was.â
âI wonât ask anything especially challenging. But if itâs all the same to you, Iâd rather not give too much away in advance. Better to keep things fresh, I think, for the cameras.â
âOf course. I understand.â
âIn general terms, weâll be looking at a number of issues. The condition of the building, the possibilities for a listing, the debate about the merits of post-war architecture. But we donât want anything too heavy or technical. We want the film to be more personal in tone.â
âI see,â said Otto.
The tone of his voice caused Angelo to look up quickly.
âWe want to explore your emotional journey â your feelings on seeing the building again. That will be the core theme of the documentary. I imagine it will be quite a nostalgic experience for you, and weâd like to capture that as best we can.â
Angelo wondered what Otto might say. His expression looked oddly frozen. Was he about to ruin everything at the last?
Ottoâs face relaxed.
âIâm afraid Iâm not terribly good at expressing emotion; rather difficult to prise from my shell. But youâre welcome to give it a try, of course, if you feel it might be of interest to your viewers.â
He smiled pleasantly at Chloe, and she returned the gesture.
âThank you for the opportunity,â she said.
Angelo breathed a silent sigh of relief.
Seven
âSo youâre happy then?â Angelo asked Otto, once they were ensconced in the taxi and crossing over Blackfriars Bridge once more. He was surprised at how straightforward it had all seemed.
âYes, they seem very nice. I canât say Iâm exactly relishing the prospect, but Iâm sure theyâll make it as painless as possible.â
âGood ⦠goodâ¦â
Angelo glanced over at Otto, but he was looking out of the window, his body turned slightly away. Now wasnât the time for a post-mortem on the eveningâs proceedings.
A few minutes earlier, as they climbed into the back of the taxi, Angelo â buoyed by the eveningâs success â had asked Otto if he would like to take a detour via Marlowe House.
âWe neednât get out, or even stop,â he had told him. âJust take a peek before the filming begins.â
But he had misjudged the mood.
âItâs late,â Otto said, âand Iâm feeling tired. Iâd rather just get back to my hotel, if you donât mind. Iâll see it again, soon enough.â
Angelo sensed that something was wrong, but Ottoâs seniority and the peculiar dynamics of their relationship â close in some ways, distant in others â meant that he couldnât possibly ask him outright. So he spent much of the cab journey trying to work it out for himself.
At first, he wondered whether Otto was unhappy about being in a taxi with him at all. Angelo had secretly promised Anika that he would see Otto safely back to his hotel. Perhaps Otto had guessed that some arrangement had been made. He certainly seemed a little put out when Angelo insisted on sharing a cab with him. Otto was fully aware that Angeloâs house in Dulwich was in the opposite direction to his Marylebone hotel.
Or perhaps Otto still harboured secret doubts about the television programme.
Have I pushed him into this? thought Angelo. Just a little?
The problem with Otto was that he was such a powerful personality, so innately strong-willed, that it
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