remaining decent restaurants in Osaka.” He paused again. “This should be relatively easy for you, Zianno. I believe you were at one time a professional thief under Captain Woodget’s tutelage, no?”
I laughed once in the dark. “I think the good captain referred to it as smuggling .”
“Ah, yes, of course, I see my error,” Sailor said with great sarcasm. “A much more honorable position and higher moral ground … no doubt, no doubt.”
I laughed again and Susheela the Ninth, or Sheela, as even Sailor was calling her now, joined in the laughter. We continued talking and covered many subjects, including telekinesis, telepathy, and other phenomena. The talk was loose and open. Sailor did a lot of the speaking, but so did Sheela. Parts of a puzzle were revealed in reverse. She said when she beat us to the Octopus in Egypt, she knew Xanti and three others were also seeking it, but she assumed the others were working with Xanti, not against him. She had no idea one of the others was Umla-Meq. It wasn’t until she was captured and taken to Norway that she learned the truth.
“How long have you known of the Fleur-du-Mal?” I asked her.
“For centuries,” she answered. “I have always thought him to be a considerable nuisance.”
“ Nuisance! He is an assassin, a ruthless murderer and torturer!”
“Yes, I know, Z, and I do not mean to diminish his crimes or your abhorrence of them. However, in truth, Xanti is only a sad little boy. I do not think he can help himself.”
“Zeru-Meq once thought the same way,” I snapped back. Sheela said nothing. I took a deep breath and calmed down. “He has since changed his mind. If Xanti is a sad little boy, then he is the most dangerous one on earth.” Despite their longevity, or perhaps because of it, I felt both Sailor and Sheela were being complacent concerning the Fleur-du-Mal. For me, it was personal. With my own eyes I had seen him slit the throat of Carolina’s sister, Georgia, and that was no “little boy” who carved bloody roses into the backs of Mrs. Bennings and countless others. I decided to change the subject. “Sheela, why did you leave the papyrus in Salzburg, along with a note for Umla-Meq?”
Susheela the Ninth sat up suddenly. The lights of the city filtered through the windows and I could see her green eyes staring at me. “Papyrus! You know of the papyrus?”
I sat up. “Yes. I’ve seen it and read it.”
“How is this possible?” she asked.
“A friend of mine, Ray Ytuarte, became good friends with Baroness Matilde von Steichen. She showed him your room, the portraits by Vermeer and Botticelli, and the papyrus. He brought it to us.”
She turned to Sailor, who also sat up. “Umla-Meq, this is so? You have read the papyrus?”
“Yes,” Sailor answered. “Or I should say, Zianno read it to me. I cannot read the old script.”
“No one has ever been able to read the papyrus.”
“Yes, well,” Sailor said and paused, “Zianno Zezen can.”
“ Ta ifi dite ifsaah! Z, this ‘ability,’ is it true?”
“Yes,” I answered, “but I have never thought of it as an ‘ability.’ ”
“Oh, but it is, Z, it is … it is a magnificent ‘ability,’ and more fundamental and necessary to the Meq than either telekinesis or telepathy.” She paused a moment and seemed to catch her breath. “You must tell me what the writing says.”
“I will, and then we will discuss what it says and means, but first things first. Where did you get the papyrus, Sheela? Tell me its history.”
She sighed deeply. “Ah, yes … yes.” She waited another heartbeat. “After all this time …” she said, shaking her head and smiling. Her perfect, ancient teeth gleamed white in the faint light. It was late at night and the big port city was unusually dark and quiet. Even the crickets had surrendered.
I suppose I didn’t realize it at the time, yet Susheela the Ninth must have understood intuitively that when I asked about the
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