Junior tells me, âbut I wouldnât take anything in the world for the experience I had in prison. If a man needed to change, that was the place to change. Hâitâs not a waste of time there, hâitâs good experience.
âHâitâs that theyâs so many people in the world that feel that nobody is going to tell them what to do. I had quite a temper, I reckon. I always had the idea that I had as much sense as the other person and I didnât want them to tell me what to do. In the penitentiary there I found out that I could listen to another fellow and be told what to do and hâit wouldnât kill me.â
Starting time! Linda Vaughn, with the big blonde hair and blossomy breasts, puts down her Coca-Cola and the potato chips and slips off her red stretch pants and her white blouse and walks out of the officialsâ booth in her Rake-a-cheek red showgirlâs costume with her long honeydew legs in net stockings and climbs up on the red Firebird float. The Life Symbol of stock car racing! Yes! Linda, every luscious morsel of Linda, is a good old girl from Atlanta who was made Miss Atlanta International Raceway one year and was paraded around the track on a float and she liked it so much and all the good old boys liked it so much, Lindaâs flowing hair and blossomy breasts and honeydew legs, that she became the permanent glamor symbol of stock car racing, and never mind this other modeling she was doing ⦠this, she liked it. Right before practically every race on the Grand National circuit Linda Vaughn puts down her Coca-Cola and potato chips. Her momma is there, she generally comes around to see Linda go around the track on the float, itâs such a nice spectacle seeing Linda looking so lovely, and the applause and all. âLinda, Iâm thirstinâ, would you bring me a Coca-Cola?â âA lot of them think Iâm Freddie Lorenzenâs girl friend, but Iâm not any of âemâs girl friend, Iâm real good friends with âem all, even Wendell,â he being Wendell Scott, the only Negro in big-league stock car racing. Linda gets up on the Fire-bird float. This is an extraordinary object, made of wood, about twenty feet tall, in the shape of a huge bird, an eagle or something, blazing red, and Linda, with her red showgirlâs suit on, gets up on the seat,
which is up between the wings, like a saddle, high enough so her long honeydew legs stretch down, and a new car pulls herâMiss Firebird!âslowly once around the track just before the race. It is more of a ceremony by now than the national anthem. Miss Firebird sails slowly in front of the stands and the good old boys let out some real curdle Rebel yells, âYaaaaaaaaaaaaghhhhoooooo! Let me at that car!â âHoney, you sure do start my motor, I swear to God!â âGreat God and Poonadingdong, I mean!â
And suddenly thereâs a big roar from behind, down in the infield, and then I see one of the great sights in stock car racing. That infield! The cars have been piling into the infield by the hundreds, parking in there on the clay and the grass, every which way, angled down and angled up, this way and that, where the ground is uneven, these beautiful blazing brand-new cars with the sun exploding off the windshields and the baked enamel and the glassy lacquer, hundreds, thousands of cars stacked this way and that in the infield with the sun bolting down and no shade, none at all, just a couple of Coca-Cola stands out there. And already the good old boys and girls are out beside the cars, with all these beautiful little buds in short shorts already spread-eagled out on top of the car roofs, pressing down on good hard slick automobile sheet metal, their little cupcake bottoms aimed up at the sun. The good old boys are lollygagging around with their shirts off and straw hats on that have miniature beer cans on the brims and buttons that read, âGirls
Kurt Eichenwald
Andrew Smith
M.H. Herlong
Joanne Rock
Ariella Papa
Barbara Warren
James Patrick Riser
Anna Cleary
Gayle Kasper
Bruce R. Cordell