on those talk shows, Naomi’s name came up as often as her father’s.
That tie, that blood and bloody tie, brought back the nightmares.
Whenever Naomi saw those ads, those displays, she knew a terrible part of her life beat inside them.
It made her afraid, and it made her ashamed.
So she understood her mother’s fear, her mother’s shame, and trod carefully.
But when her mother remembered the light, things were good, even simple. Her favorite picture was one she’d taken of her mother dancing with her uncle, at a party in the summer. The light had been good, inside and out, and her mother had looked so pretty laughing into her brother’s face. She’d given it to Susan, along with one she’d taken with a timer of her mother, her brother, and herself sitting on the patio of the brownstone in the springtime.
When the dark came back, and her mother needed to stay in bed with the curtains shut tight, Naomi would take her food on a tray. She’d know how deep the dark was if she saw those pictures lying facedown, as if her mother couldn’t bear the sight of her own happiness.
Still, weeks would go by—sometimes even months—when everything seemed as normal as normal could be. When it was all about studying or fretting over a test; bickering with Mason, who could be the bane of her existence; or wondering what she should wear to a movie date.
She was at the movies—not on a date, but with a big group of friends (and Mason with a group of his) getting ready to see
Spider-Man
. She had popcorn and an orange soda and settled down to enjoy the previews when the houselights dimmed.
Her friend Jamie immediately started making out with her boyfriend of the moment, but Naomi ignored them—and the smacking noises Mason’s group made in the row behind her.
She loved movies, and truth be told she liked movies like
Spider-Man
and
The Lord of the Rings
more than the love stories her girlfriends sighed over.
She liked movies where people had to
do
something, overcome something. Even if it meant getting bitten by a radioactive spider to do and overcome.
The screen filled with the point of view of someone driving a truck. She knew about point of view from studying photography. A man’s point of view, she noted—one wearing a wedding ring.
She liked noticing the details.
Then others began to catch her eye—catch her by the throat.
She knew those roads. She knew that truck. When he veered off intothe woods, bumping over a rough trail, she felt that crushing weight in her chest.
Scenes flashed—the root cellar, the photographs, a woman bound on the mattress, eyes full of terror.
She couldn’t breathe.
Flash to a house near the edge of the woods. And it
was
their house. God, God, their house. A long-legged girl, thin with long hair, looking out the window on a hot, storm-waiting night.
Quick splice to the family in church—father, mother, gangly girl, little boy. And the next of the girl reaching for the lock on a rough wood door.
She couldn’t watch. The popcorn fell out of her hand, spilled everywhere; the soda landed with a wet slap as she jumped up. Her friends called out:
Hey, watch it!
What the hell, Naomi!
But she was bolting for the doors.
She heard the announcer blare behind her.
A story of depravity. A story of courage.
Daughter of Evil
. Coming November.
Her knees buckled as she stumbled into the lobby. She fell on all fours while the room spun and her chest burned.
She heard Mason’s voice, miles away, as he shook her.
“Get up. Come on, Naomi, you have to get up.”
He pulled her up and half dragged, half carried her out into the hot, heavy air of September, the too-bright lights of Times Square.
“Look at me. Look at me.”
He was nearly as tall as she was, and he had their father’s eyes. A deep golden brown. They held both worry and shock.
“Can’t breathe.”
“Yes, you can. You are. Just take it slow.”
“It was—”
“Don’t say it. Don’t say it here. Anybody asks,
Greig Beck
Catriona McPherson
Roderick Benns
Louis De Bernières
Ethan Day
Anne J. Steinberg
Lisa Richardson
Kathryn Perez
Sue Tabashnik
Pippa Wright