store had watch chains draped over his arm. âReal gold!â he called. âCome along, gents, donât put a fine watch on a cheap chain! Real gold watch chains, only one dollar!â
As they walked, Grattan OâBrien told her that Mr. Abbot Kinney planned to make Venice the most extraordinary residential community in America, a garden city with shining waterways instead of dusty streets. She was doing her best to pay attention while constantly feeling death, the presence of death behind everything.
âWeâll go by the Lagoon and see if we might catch a gondola. There are only a couple of houses to see. The lots have been selling, but the fact is not many people have built yet.â
I am an orphan , Iseult thought to herself. An orphan led westward, windward, by a young man whose wrists and hands are brown and glossy smooth as the branches of a manzanita tree .
The Lagoon was a stagnant green pond flanked by what he called the Amphitheatre.
âThey held swimming races here this morning. The Amphitheatre seats 2 , 500 . This was all wasteland when Mr. Kinney first saw it. Nothing but mud and birds.â
White plaster columns, plaster statues everywhere, and banks of rickety seats: she thought it looked a bit like a Roman ruin and a bit like the Dartmouth College swim tank. On the far side of the Lagoon, three black Venetian gondolas were tied up at a float where the boatmen, in striped jerseys, were smoking and playing cards. Mist was blowing inland, giving some texture to plain, brutal sunshine. She could feel surf thumping on the beach.
âLuigi, per piacere , letâs take the signora down to the Linnie.â
The gondoliers looked up from their card game. One of them shrugged, tossed down his cards, and stood up. âSure thing, Mr. Grattan.â
âHowâs business?â Grattan asked.
âAh, not so good.â
The man stepped into one of the gondolas, then held out his hand for Iseult as she stepped down. It was pleasant to be on the water, to sense something soft beneath the hull, liquid depth, a mystery. Grattan sat down next to her and the gondolier slipped his line and pushed off.
With its toothed stern rising like a wicked tail, the gondola resembled a dragon. It had something of a canoeâs narrowness and fragility. The gondolier hummed a tune as he worked the scull.
âItâs a nice way to go, donât you think?â Grattan said.
It was wonderful: the scent of tarry wood and the black hull sliding noiselessly across the Lagoon, headed for the Grand Canal. A flock of ducks paddled in the sluggish water.
âWhatâs the difference between a canal and a ditch?â
He smiled. âGood question. You dig a ditch to drain a swamp or to bring water to crops. The canals are so people can enjoy living by water. That was Abbotâs idea, anyway. In summer itâs often fifteen degrees cooler out here than in Los Angeles. You can sleep under a blanket all summer. Youâre from back east?â
âYes.â
âIâm out of Canada myself. Donât let me get started on the ocean air out here, or youâll think Iâm huckstering you.â
They glided along. To the north she could see the olive green Santa Monica Mountains, and the purple San Gabriels to the east, beyond Pasadena. Something dreamy, sleepy, about moving on water. Her mother would have called this day a whim. Was that what it was? How weightless and unencumbered she felt.
The gondola slipped beneath a couple of footbridges. There were only a few people strolling along the canals. She saw survey sticks and sand piles but few houses.
âWe havenât actually sold that many lots, to tell you the truth. People donât appreciate the canals; they want real streets so they can park automobiles in front of their houses. They might not own an automobile yet, but they hope to.â
âYouâre not being a very good salesman. You shouldnât
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