The New York Trilogy

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Authors: Paul Auster
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informed by a knowledge of evil. Adam’s one task in the Garden had been to invent language, to give each creature and thing its name. In that state of innocence, his tongue had gone straight to the quick of the world. His words had not been merely appended to the things he saw, they had revealed their essences, had literally brought them to life. A thing and its name were interchangeable. After the fall, this was no longer true. Names became detached from things; words devolved into a collection of arbitrary signs; language had been severed from God. The story of the Garden, therefore, records not only the fall of man, but the fall of language.
    Later in the Book of Genesis there is another story about language. According to Stillman, the Tower of Babel episode was an exact recapitulation of what happened in the Garden—only expanded, made general in its significance for all mankind. The story takes on special meaning when its placement in the book is considered: chapter eleven of Genesis, verses one through nine. This is the very last incident of prehistory in the Bible. After that, the Old Testament is exclusively a chronicle of the Hebrews. In other words, the Tower of Babel stands as the last image before the true beginning of the world.
    Stillman’s commentaries went on for many pages. He began with a historical survey of the various exegetical traditions concerning the story, elaborated on the numerous misreadings that had grown up around it, and ended with a lengthy catalogue of legends from the Haggadah (a compendium of rabbinical interpretations not connected with legal matters). It was generally accepted, wrote Stillman, that the Tower had been built in the year 1996 after the creation, a scant 340 years after the Flood, “lest we be scattered abroad upon the face of the whole earth.” God’s punishment came as a response to this desire, which contradicted a command that had appeared earlier in Genesis: “Be fertile and increase, fill the earth and master it.” By destroying the Tower, therefore, God condemned man to obey this injunction. Another reading, however, saw the Tower as a challenge against God. Nimrod, the first ruler of all the world, was designated as the Tower’s architect: Babel was to be a shrine that symbolized the universality of his power. This was the Promethean view of the story, and it hinged on the phrases “whose top may reach unto heaven” and “let us make a name.” The building of the Tower became the obsessive, overriding passion of mankind, more important finally than life itself. Bricks became more precious than people. Women laborers did not even stop to give birth to their children; they secured the newborn in their aprons and went right on working. Apparently, there were three different groups involved in the construction: those who wanted to dwell in heaven, those who wanted to wage war against God, and those who wanted to worship idols. At the same time, they were united in their efforts—”And the whole earth was of one language, and of one speech”—and the latent power of a united mankind outraged God. “And the Lord said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do.” This speech is a conscious echo of the words God spoke on expelling Adam and Eve from the Garden: “Behold, the man is become one of us, to know good and evil; and now, lest he put forth his hand, and take also of the tree of life, and eat, and live forever—Therefore the Lord God sent him forth from the garden of Eden… .” Still another reading held that the story was intended merely as a way of explaining the diversity of peoples and languages. For if all men were descended from Noah and his sons, how was it possible to account for the vast differences among cultures? Another, similar reading contended that the story was an explanation of the existence of paganism and

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