tightenmychintokeepthephonefromslippingoutfromunderone ear as I grip a boiling pot of beets in my hands. "I can't really look inside myself right now, because I am justcallingtofindhowtopreparecoquillessaywhat,fortheloveofChrist!"
"I'm helping," Grayer says, a small hand coming up over theedge of thecounter, groping for the paring
knifeI've justputdown.
"Gottago."
I lungefortheknife,sendingtwentycoquilles flyingontothefloor.
"Cool! It's just like the beach, Nanny! Don't pick 'em up, leave 'em. I'm gonna go get my bucket." He
scampers out of the kitchen as I drop the knife in the sink and crouch to collect the mollusks. I pick up
one, thenanother,but as I grab for the thirdthe first slides out of myhand, across thefloor,and directly
into a gray snakeskin high heel. I jerk up to see a redheaded woman in a gray suit standing squarely in
thedoorway.
Grayer comes skipping around the corner holding his sand bucket, but freezes behind her when he sees myface.
"I'm sorry,canI helpyou?" I stand,motioningforGrayer tocome tome.
"Yes," shesays, "I'm hereto do theseatingarrangement." Shesaunters past me intothekitchen, pulling
offherHermes scarfandtyingitaroundthehandleof herslate-grayGuccibriefcase.
Shekneelstoretrieve a coquilleandturnstohandittoGrayer. "Didyoulosethis?" sheasks.
Helooksupatme. "It's okay,Grove,"I say, reachingoutandtakingitfrom her. "Hi,I'm Nanny."
"Lisa Chenowith, general manager of the Chicago office. And you must be Grayer," she says, setting
herbriefcasedown.
"I'm helping,"hesays,usinghis buckettoscoopup theremainingseafood.
"I coulduse a helper."Shesmiles downathim. "Areyoulookingfor a newjob?"
"Sure,"hemumblesintohis bucket.
I dump the shells in the colander and turn off the stove. "If you just give me a minute, I'll show you to
thediningroom."
"Are youcookingfortheparty?" sheasks, gesturingtothesinkoverflowing with pans.
"No. t's his dinner," I say, scrapingburnedbeets outofthepot.
"Whatever happenedtopeanutbutter andjelly?" shelaughs,puttingher briefcasedownonthetable.
"Nanny,I wantpeanutbutter andjelly."
"Sorry, didn't mean to start a revolution," she says. "Grayer, I'm sure whatever Nanny is making you
will bedelicious."
"Actually, pb & j sounds perfect," I say, pulling out the peanut butter from the fridge. Once I've seated Grayer in his booster seat at the banquette I lead her to the dining room, where the long walnut table hasbeenreplacedbythreeroundones.
"Well, well," she murmurs as she steps in behind me. "She had them set up a whole day early. hat must have cost thousands." We both look down at the lavender-scented tables, festooned with shining silverware, sparklingcrystal, andgilt-edged chargerplates. "I'm sorryI won't behere."
"You won't?"
"Mr. X wants me back in Chicago." She smiles at me, then turns her attention to the rest of the room, admiring thePicassoover themantelandtheRothkoabovethesideboard.
I follow hertothelivingroomandthenthelibrary. Shetakesin
THE NANNY DIARIES
each jewel-toned room as if appraising it for auction. "Beautiful," she says, fingering the raw silk drapes, "but a littleoverdone, don't you
think?"
Unaccustomed as I am to being asked my opinion in this household, I reachfor the right words. "Um ... Mrs. X has very definite tastes. Actually, since you're here, would you mind telling me if this looks okay?" I ask,bendingbehind Mr. X's desktoretrieve agift bag.
"Whatis it?" sheasks, pullingher hairover her shouldertopeer
inside.
"It's a gift bag for the guests. I wrapped them this morning, but I'm not sure if I did it right, because I couldn't find the right tissue paper and the ribbon Mrs. X wanted was out of stock? "Nanny?" She cuts me off. "Is anyoneonfire?" "Sorry?" I say, takenaback.
"They're justgiftbags. For a bunchofoldgeezers,"shelaughs, "I'm surethey're perfect. elax."
"Thanks, it just seemed like it was pretty important." She glances over my shoulder at the shelf of family pictures behind me. "I'm just going to check in
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