children—taped to the walls. The bored afternoon pasted shadows on these walls. Outside his window, the skyscrapers began to glow. He went down the elevator and into the cool, crowded dusk thankful for her consideration; it was like her to let him finish his day’s work before she declared her presence. But now, now she could cease considerately hiding, and he could take her to dinner with a clear conscience. He checked his wallet to make sure he had enough money. He decided he would refuse to take her to a play, though undoubtedly she would suggest it. She loved the theatre’s mock fuss. But they had too little time together to waste it in awareness of a third thing.
He had taken a room at what he still thought of as their hotel. To his surprise, she was not waiting for him in the lobby, which seemed filled with a party, a competition of laughter. Charles Boyer, one eyebrow arched, was waiting for the elevator. She would have liked that, that celebrity visitation, as she sat on the bench near the desk, waiting and watching, her long legs crossed and one black shoe jabbing the air with its heel and toe. He had even prepared his explanation to the clerk: This was his wife. They had had (voice lowered, the unavoidable blush not, after all, inappropriate) a fight, and impulsively she had followed him to New York, to make up. Irregular, but … women. So could his single reservation kindly be changed to a double? Thank you.
This little play was so firmly written in his head that he looked into the bar to make sure the leading actress was not somewhere in the wings. The bar was bluely lit and amplypatronized by fairies. Their drawled, elaborately enunciating voices, discussing musical comedies in tones of peculiar passion, carried to him, and he remembered how she, when he had expressed distaste, had solemnly explained to him that homosexuals were people, too, and how she herself often felt attracted to them, and how it always saddened her that she had nothing, you know—her stare defensively sharpened—to give them. “That old bag, she’s overex
posed
herself,” one of the fairies stridently declared, of a famous actress.
He took the elevator up to his room. It was similar to ones they had shared, but nothing was exactly the same, except the plumbing fixtures, and even these were differently arranged. He changed his shirt and necktie. In the mirror, behind him, a slow curve of movement, like a woman’s inquisitive step, chilled his spine; it was the closet door drifting shut.
He rushed from the suffocating vacant room into the streets, to inhale the invisible possibility of finding her. He ate at the restaurant he would have chosen for them both. The waiter seemed fussed, seating a solitary man. The woman of a couple at a nearby table adjusted an earring with a gesture that belonged to her; she had never had her ears pierced, and this naïveté of her flesh had charmed him. He abstained from coffee. Tonight he must court sleep assiduously.
He walked to tire himself. Broadway was garish with the clash of mating—sailors and sweethearts, touts and tarts. Spring infiltrates a city through the blood of its inhabitants. The side streets were hushed like the aisles of long Pullman sleepers being drawn forward by their diminishing perspective. She would look for him on Fifth Avenue; her window-shopper’s instinct would send her there. He saw her silhouette at a distance, near Rockefeller Center, and up close he spotted a certain momentary plane of her face that flew away in aflash, leaving behind the rubble of a face he did not know, had never kissed or tranquilly studied as it lay averted on a pillow. Once or twice, he even glimpsed, shadowed in a doorway, huddled on a bench tipping down toward the Promethean fountain, the ghostly child of their tenderness, asleep; but never her, her in the fragrant solidity he had valued with such a strange gay lightness when it was upon him. Statistically, it began to seem wonderful
Alan Cook
Unknown Author
Cheryl Holt
Angela Andrew;Swan Sue;Farley Bentley
Reshonda Tate Billingsley
Pamela Samuels Young
Peter Kocan
Allan Topol
Isaac Crowe
Sherwood Smith