are ponies, which interest him less: a pony is, and remains, a pony and can never become a horse. He sees a very overweight Fjord horse and a dapple gray he’s not so keen on, partly because of its build, but also because it’s thin. But he studies the other six with considerable interest. Walking up and down the passage, he reads the names on the box doors. Konstantin, born ’92, owner: Grete Valen. Superman, born ’96, owner: Line Grov. One of the horses stands out because of its impressive height, and also because of its color. It’s a bay. Charlo stops dead and stands there, staring. The bay is his favorite. The bay is the one he’ll dream of, its deep, coppery color shining in the light from the window. A pretty arrow-shaped blaze on its forehead. A good, thick tail and a powerful neck. Its liquid and black eyes observe him with stoic composure. Charlo holds out a hand and lets the horse sniff. Its muzzle feels like fine, expensive velvet. He leans forward and blows into the horse’s nostrils, wanting to implant his own smell. The horse is inquisitive; its ears tilt forward positively and its tail swishes from side to side. The horse really is big. Six hundred kilos, he guesses, with powerful legs and supple hindquarters. Definitely a dressage horse. It has the muscle mass typical of an animal that has done a lot of groundwork. It looks newly shod and well tended, with oiled and shiny hooves. He stands at the box door completely wrapped up in a daydream. There’s no name on the door. But obviously someone owns the horse.
His musings are disturbed by the sound of the stable door slamming and footsteps approaching. Immediately he pulls himself together. Gets ready for a conversation. He looks down the passage and glimpses a young girl. She sends him a bashful glance, registers that she doesn’t know him, and gets on with her task. He calls out a greeting and watches with interest. Perhaps the bay is the very horse she’s taking out. No, she’s come for the Fjord horse. She places a halter over its head and leads it out into the passage, and ties it to a ring. Then she disappears and returns almost immediately with a saddle. Charlo knows what a saddle weighs, but she’s toting it on one arm as if it were a mere nothing. The horse’s bridle is over the other. They’ve got muscles, these girls, after years on horseback, after forking tons of horse manure out of the box and down the hatch. Heavy, wet horse muck and stalwart, tough girls.
“Nice Fjord,” he says, even though he doesn’t mean it. It’s been far too well fed but is attractive despite that. It’s champagne-colored with a pretty black-and-white mane. He likes Fjord horses very much, but not for riding. They’re precise in dressage but lack a certain elegance. The Fjord horse has such short legs, he thinks, and looks at the girl. She places the saddle on the horse’s back, tightens the girth with impressive strength, and starts scraping out the hooves. Her trim bottom sticks up in the air, filling her tight riding breeches, and he looks at her rounded body and powerful thighs. That’s how they ought to look, he thinks. Buxom and bursting as ripe plums. But as always, whenever he looks at a young girl, he starts making comparisons with Julie. He never finds anyone to match her. Julie with her resolute chin and her mane of red hair. Julie with her firm, green eyes.
“What’s his name?” Charlo asks, taking a few steps toward the girl. He’s a friendly man. Even though he’s just killed someone, even though he’s just destroyed an old woman, he finds his voice again. He finds his good nature. He knows how to talk to people and make conversation. It gives him an odd kind of pleasure that he can still interact with people as if nothing has happened.
Just then a cat slips in, followed by a Rottweiler puppy who finds some hoof trimmings and begins to chew greedily.
“Champis,” she replies, smiling shyly. Now that’s apposite, he thinks,
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