to the small living room, Joe blinked because of the sudden light. The sun flooded in, as it had in Kitty’s house. No sofa, but two chairs covered in a shiny floral pattern facing a large TV. Nothing unusual. Nothing to add character to the man who’d spent his life here. Had it been as if he was a lodger in his mother’s house, frightened of upsetting her, of disturbing the family home?
Upstairs. The door ahead of Joe opened into a bathroom. Deep enamel bath, stained and chipped. No shower. To the left, a separate lavatory. There were three small bedrooms. The largest held a double bed, pink candlewick quilt and the smell of old woman. Talcum powder and lavender, on top of something less pleasant. And next to the bed there
was
still a commode with a social-services stamp on the back. Joe shut the door quickly. Let the CSIs check in there.
It seemed that Martin Benton had taken the other bedrooms for his use. The smaller one was just big enough for a single bed, small wardrobe and chest of drawers. The bed was made. Sheets and blankets, army-style. The clothes in the chest and the wardrobe were mass-produced. What struck Joe as strange was that they were all very similar. Jogging bottoms, all black. Polo shirts. Two grey fleeces. Two pairs of trousers of the sort that old men wear to work and a few folded shirts, all white. It seemed that Benton had only possessed one suit and he’d been wearing it when he died. Why had he been wearing his suit for his trip to Gilswick? It suggested something formal. An interview? Had there been a parent in Gilswick village, wanting him to tutor a child? That still couldn’t explain his presence in the valley. And would Benton really have cycled all the way from Kimmerston to Gilswick in his suit? Joe thought they still needed to find out how he’d made his way to the big house.
The second room looked out over the yard and was a revelation. It was kitted out like an office: a large desk against one wall, one main computer and a laptop. Next to the window was a filing cabinet and on a shelf above the desk a row of reference books and academic textbooks, all related not to maths, but to natural history. The impression was more of a gallery than an office. The walls were white and hung with photographs. Beautiful photographs of butterflies, moths and other insects, all blown up so that every detail could be seen. Joe’s attention was caught by a picture of a caterpillar on a laurel leaf. Every vein on the leaf was sharp and clear. There was a raindrop, a shimmering prism like a tear. It seemed to Joe that if Benton had intended to set up his own business, it would surely have been as a photographer. A camera that Joe guessed had taken up six months’ invalidity benefit was hidden in one of the filing-cabinet drawers.
If Benton had been in Gilswick to take photographs of the house or the gardens, why hadn’t he taken his camera?
The camera was in the bottom drawer of the filing cabinet; the other two drawers were conventionally arranged. Each drop-file was neatly labelled with a letter of the alphabet, but all of them were empty. Joe suddenly felt a wave of depression. He imagined Benton preparing his office for business, excited perhaps; but he had been killed before he could start out. If he’d gone to the big house for work, it must have been the first contract of his self-employment and might have marked a turning point in his life. Joe checked the desk for a mobile phone. There was nothing. The landline phone was in the hall downstairs. No messages. He dialled 1471 and a disembodied voice gave him a mobile number. He made a note of it and then went outside into the sunshine, closing the door carefully behind him.
Kitty was still sitting in her bay window. He tapped on her door and she answered at once.
‘Do you know what that contraption is, at the bottom of Martin’s garden?’
‘Oh, aye,’ she said. ‘That’s his moth trap.’
Chapter Nine
When Holly got back
Edward Marston
Shawntelle Madison
Ashlee Mallory
Di Morrissey
Julia James
Shelia M. Goss
Peter Sasgen
Gwen Kirkwood
Kyle West
Jane Bowring