The Merchant of Venice

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Authors: William Shakespeare
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has brought Shylock a present, but Lancelet announces that he has run away from his master. He informs Gobbo that he intends to serve Bassanio, who gives “rare new liveries,” and tells him to give Bassanio the present.
    Lines 100–191: Bassanio enters, instructing a servant to have supper ready “by five of the clock,” and to ask Gratiano to come to his lodging. Lancelet urges his father to give him the present, and comic confusion is created as both men try to ask Bassanio if he will take Lancelet into service. Bassanio clarifies matters and agrees. Lancelet and Gobbo leave. Gratiano arrives and asks Bassanio if he may accompany him to Belmont. Bassanio agrees, but insists that Gratiano must be more modest in his behavior.
ACT 2 SCENE 3
    Jessica regrets that Lancelet is leaving, as he has made life in Shylock’s house less tedious. She gives him money, and a letter to deliver to Lorenzo, a guest at Bassanio’s house. Alone, Jessica reveals her “heinous sin”: she is ashamed to be her “father’s child.” She declares that, although she is of Shylock’s blood, she is not of “his manners,” creating an important distinction between faith and character, explored throughout the play. She reveals her intention to “Become a Christian” and marry Lorenzo.
ACT 2 SCENE 4
    Lorenzo and his friends prepare to disguise themselves as masquers and help Jessica escape from Shylock’s house that evening. Lancelet delivers her letter to Lorenzo and tells them that he is going to Shylock’s with an invitation to supper at Bassanio’s. Lorenzo gives him money and a message to Jessica that he will not fail her, and sendsSalerio and Solanio to prepare. He tells Gratiano that Jessica will be waiting to elope with “gold and jewels” and will disguise herself as Lorenzo’s torchbearer and escape as part of the masque.
ACT 2 SCENE 5
    Shylock warns Lancelet that his “eyes shall be thy judge” of the differences between himself and Bassanio, raising a motif of sight/ perception. He calls for Jessica and tells her that he is going out, although he is suspicious of Bassanio’s motives in inviting him, and fears some “ill a-brewing.” Lancelet tells him that there are to be masques that night, and Shylock warns Jessica to “Lock up” the house, and not to let the “sound of shallow fopp’ry enter / [His] sober house,” emphasizing his separation from the prevailing Venetian culture. As Lancelet goes, he whispers to Jessica to look out for “a Christian” (Lorenzo) during the masque. Shylock leaves, reminding Jessica to lock the doors, and she secretly bids him goodbye.
ACT 2 SCENE 6
    Gratiano and Salerio wait for Lorenzo. They are worried that he is late, particularly as “lovers ever run before the clock,” but he joins them and calls for Jessica. She appears, above, disguised in boy’s clothes, and throws Lorenzo a casket of money and jewels. She is embarrassed by her disguise, but Lorenzo urges her to “come at once.” As they wait for her, Lorenzo tells Gratiano that Jessica is “wise, fair and true.” She arrives and they go to join the masque, leaving Gratiano behind. Antonio arrives to tell Gratiano that “the wind is come about” and he must join Bassanio to sail for Belmont.
ACT 2 SCENE 7
    Portia shows the Prince of Morocco the three caskets. He reads the inscription on each: he has a choice between gaining “what many men desire” (the gold casket), getting “as much as he deserves” (silver),or to “give and hazard all he hath” (lead). Portia tells him that the correct casket contains her portrait. The prince makes a long speech explaining his reasoning, but also, unwittingly, revealing his self-importance. He chooses the gold casket, which contains a skull “within whose empty eye / There is a written scroll” telling him that “All that glisters is not gold”: he has judged by appearances, ironically given his request to Portia in Act 2 Scene 1. In contrast to his earlier

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