Tags:
YA),
Young Adult Fiction,
Young Adult,
teen,
teen fiction,
ya fiction,
ya novel,
young adult novel,
teen lit,
elissa hoole,
alissa hoole,
alissa janine hoole,
memory jar
so soft, and once again Iâm afraid she knows. I need her to leave the room. âMaybe ⦠â I trail off, pressing my hand against my face as though Iâm suddenly flushed, hot. âOh, itâs okay. Unless you could get me a cup of water. Iâm sort of ⦠â I leave it open-ended.
Her eyes are wide. âOh!â She smiles and picks up a small cup off the bedside table, still wrapped in plastic. âIâll get you some from the drinking fountain in the hall. It tastes a little better.â
âThatâs perfect, thank you so much.â Iâm going to have to be fast. As soon as sheâs past the edge of the curtain half drawn around Scottâs bed, I duck down, wedging myself into the space between the wall and the machinery that checks his vitals. I see nothing, so I glance up to make sure Emily isnât coming and then I push the chair back with my ass and get all the way down on my hands and knees, pushing the cords to the side carefully, searching for a glint of gold, zirconium flakes shining against the off-white tile. Nothing.
This is so uncool. My hands skitter across the floor in all directions, reaching around the bottom of the bed. I crawl to the foot of the bed and around to the other side, hazarding a glance up at the door, hoping that Emily takes a while with the water. Itâs still clear, but I donât have much time so I quickly search the floor around the bottom of the curtain and climb to my feet, straightening up just as Emily enters, closely followed by a young Asian guy in a shirt and tie. The news. He carries a camera, but itâs not a still camera like a person working for a newspaper would have. Itâs a video camera.
My phone buzzes in my pocket, and I distract myself from the intensity of Emilyâs kindness by pulling it out and reading the text.
I frown. The number isnât in my contacts, and the message is brief but it takes me by surprise. Abortion is MURDER.
âAre you all right?â Emily can clearly see Iâm not, but I nod and slide my phone back into my pocket. Who would send me such a thing? I run through the list of everyone who knows, and itâs a short list. Joey? Could it be him? We havenât even mentioned abortion.
Emily turns to introduce the guy behind her. âThis is Tom Baker, from channel seven.â He waves and gives me this little smile that manages to instantly communicate an idea of kindness, of empathy. Heâs also gorgeous. I look away quickly.
I stuff my hands into my hoodie, search the floor out of the corners of my eyes for the stupid ring that I donât even want, my mind fully consumed with the awful text. Can I call the number back? The thought makes my stomach lurch in a way that feels unexpected, and I give the guy a little nod, figuring thereâs not much more expected from the girlfriend of a boy in a coma.
âIâm doing a piece on the crash,â says Tom, a thin tripod expanding like magic beneath his hands. âI mean, not all about the crash, Iâm sorry if Iâm being insensitive. Iâm doing a series on traumatic brain injuries. So far weâve talked with a couple of soldiers, and I was reading about Scott on the update site Emily set up.â Heâs casual, non-threatening. He holds out his hand to me.
I look down. A microphone, a tiny fly to clip onto my sweatshirt, hangs between Tomâs finger and thumb. I shake my head. âI donât knowââ
âWe donât have to show your face,â he says. âCan I just ⦠?â
My face. I allow him to attach the mic and then it all seems inevitableâthe questions, interrogations. Guilt blooms in my chest, and I donât know, I donât remember. âI canât.â I try to tug the mic off but my hands are heavy and numb, my heart erratic. Panic? What is this?
Tom stands beside the camera, and he has a nice smile. I focus on that, on
John Patrick Kennedy
Edward Lee
Andrew Sean Greer
Tawny Taylor
Rick Whitaker
Melody Carlson
Mary Buckham
R. E. Butler
Clyde Edgerton
Michele Boldrin;David K. Levine