"All the surrounding buildings, every single flat. But nobody heard anything unusual, nobody saw anything. Oddly enough we haven't had one single tip-off from the general public. The whole investigation seems to be in limbo."
Björk turned to Martinsson.
"I've been through his flat in Regementsgatan," he said. "I don't think I've ever been so unsure of what I was looking for. What I can say for sure is that Sten Torstensson had a liking for fine cognac, and that he owned a collection of antiquarian books which I suspect must be very valuable. I've also been putting pressure on the technical boys in Linkoping about the bullets, but they say they'll be in touch tomorrow."
Björk sighed and turned to Höglund.
"I've been trying to piece together his private life," she said. "His family, friends. But I haven't turned anything up that you could say takes us any further. He didn't exactly put himself about, and you could say he lived almost exclusively for his work as a solicitor. He used to do a fair bit of sailing in the summer, but he had given that up, for reasons I'm unsure about. He doesn't have many relatives. One or two aunts, a couple of cousins. He seems to have been a bit of a hermit, so far as I can understand."
Wallander kept his eye on her while she was talking, without making it obvious. There was something thoughtful and straightforward about her, almost a lack of imagination. But he decided he would reserve judgment. He didn't know her as a person, he was just aware of her reputation as an unusually promising police officer.
The new age, he thought. Perhaps she is the new type of police officer, the type I have often wondered about, what would they look like?
"In other words, we're marking time," Björk said, in a clumsy attempt to sum up. "We know young Torstensson has been shot, we know where and we know when. But not why, nor by whom. Unfortunately, we have to accept that this is going to be a difficult case. Time-consuming and demanding."
Nobody had any quarrel with that assessment. Wallander could see through the window that it was raining again.
He recognised that his moment had come. "As far as Sten Torstensson is concerned, I have nothing to add," he said. "There is not a lot we know. We have to approach it from another angle. We have to look at what happened to his father."
Everyone round the table sat up and took notice.
"Gustaf Torstensson did not die in a road accident," he said. "He was murdered, just as his son was. We can assume that the two cases are linked. There is no other satisfactory explanation."
He looked at his colleagues, who were all staring fixedly at him. The Caribbean island and the endless sands at Skagen were now far, far away. He was aware that he had sloughed off that skin, and returned to the life he thought he had abandoned for good.
"In short, I have only one more thing to say," he said, thoughtfully. "I can prove he was murdered."
Nobody spoke. Martinsson eventually broke the silence.
"By whom?"
"By somebody who made a bad mistake." Wallander rose to his feet. Soon afterwards they were in three cars in a convoy on their way to that fateful stretch of road near Brosarp Hills. When they got there dusk was settling in.
CHAPTER 4
In the late afternoon of November 1, Olof Jönsson, a Scanian farmer, had a strange experience. He was walking his fields, planning ahead for the spring sowing, when he caught sight of a group of people standing in a semicircle up to their ankles in mud, as if looking down at a grave. He always carried binoculars with him when he was inspecting his land - he sometimes saw deer along the edge of one of the copses that here and there separated the fields - so he was able to get a good view of them. One of them he thought he recognised -something familiar about the face - but he could not place him. Then he realised that the four men and one woman were in the place where the old man had died in his car the previous week. He did not want to
Bruce Alexander
Barbara Monajem
Chris Grabenstein
Brooksley Borne
Erika Wilde
S. K. Ervin
Adele Clee
Stuart M. Kaminsky
Gerald A Browne
Writing