big one – the one that twisted cities and snapped overpasses like dry twigs. You thought about those things when you towed around ten thousand gallons of explosive liquid.
Al could see the tall Texaco sign out of the windshield, and it occurred to him that it should be waving like a sapling in the wind, but it wasn't. Only the truck was moving. He had to get out and stop the pump.
The truck thumped and rocked as if rammed by a rhino. He pulled the door handle and pushed. It didn't budge. Something blocked it, blocked the whole window.A tree? Had the roof over the pumps come down on him? He looked to the passenger door, and something was blocking that one too. Not metal, not a tree. It had scales. Through the windshield he saw a dark, wet stain spreading over the concrete and his bladder emptied.
"Oh shit, oh shit oh shit oh shit."
He reached behind his seat for the fire thumper to knock out the windshield and in the next instant Al was flaming bits and smoking pieces flying over the Pacific.
A mushroom cloud of greasy flame rose a thousand feet into the sky. The shock wave leveled trees for a block and knocked out windows for three. Half a mile away, in downtown Pine Cove, motion detector alarms were triggered and added their klaxon calls to the roar of the flames. Pine Cove was awake – and frightened.
The Sea Beast was thrown two hundred feet into the air and landed on his back in the flaming ruins of Bert's Burger Stand. Five thousand years on the planet and he had never experienced flight. He found he didn't care for it. Burning gasoline covered him from nose to tail. His gill trees were singed to stumps, jagged shards of metal protruded between the scales of his belly. Still flaming, he headed for the nearest water, the creek that ran behind the business district. As he lumbered down into the creek bed, he looked back to the place where his lover had rejected him and sent out a signal. She was gone now, but he sent the signal anyway. Roughly translated, it said, "A simple no would have sufficed."
Molly
The poster covered half of the trailer's living room wall: a younger Molly Michon in a black leather bikini and spiked dog collar, brandishing a wicked-looking broadsword. In the background, red mushroom clouds rose over the desert. Warrior Babes of the Outland, in Italian, of course; Molly's movies had only been released to overseas theaters – direct to video in theUnited States. Molly stood on the wire-spool coffee table and struck the same pose she had fifteen years before. The sword was tarnished, her tan was gone, the blonde hair had gone gray, and now a jagged five-inch scar ran above her right breast, but the bikini still fit and muscles still raked her arms, thighs, and abdomen.
Molly worked out. In the wee hours of the morning, in the vacant space next to her trailer, she spun the broadsword like a deadly baton. She lunged, and thrust and leapt into the improbable back flip that had made her a star (inThailand anyway). At two in the morning, while the village slept around her, Molly the crazy lady became, once again, Kendra, Warrior Babe of the Outland.
She stepped off the coffee table and went to her tiny kitchen, where she opened the brown plastic pill bottle and ceremoniously dropped one tablet into the garbage disposal as she had every night for a month now. Then she went out the trailer door, careful not to let it slam and wake her neighbors, and began her routine.
Stretches first – the splits in the high wet grass, then a hurdler's hamstring stretch, touching her forehead to her knee.She could feel her vertebrae pop like a string of muted firecrackers as she did her back stretches. Now, with dew streaking her legs, her hair tied back with a leather boot lace, she began her sword work. A two-handed slash, a thrust, riposte, leap over the blade, spin and slash – slowly at first working up momentum – one-handed spin, pass to the other hand, reverse, pass the sword behind her back, speeding
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