built. His bullet-shaped head was shaved, and there were deep folds of skin halfway up the back of his neck. He wore a thick turtleneck sweater under a tweed jacket, and gave the impression of a prizefighter, save for his large, mirror-faced sunglasses.
Aloha Shirt said something to Bullet Head. From his expression, he was angry. Bullet Head barked back, clearly not willing to take the blame. They looked again up and down the street, then Aloha made a signal with his hand, and a dark Bentley pulled up to the curb. They got in, Bullet in front, Aloha alone in back. The Bentley pulled into the traffic, bullying its way into the flow on the strength of its prestige.
Maggie looked at Jonathan, who was studying the faces of the other passersby in front of the hotel. âThatâs all,â he said to himself. âJust the two.â
âHow do you knowââ
He held up his hand. âJust a moment.â He watched the street narrowly until, in about three minutes, the Bentley passed again, slowing down as it went by the hotel entrance, the men within leaning forward to examine it carefully. Then the car sought the center lane and drove off.
âOK. They wonât be back. Not for a few hours, anyway. But theyâve undoubtedly left someone inside.â
âHow do you know they were the ones?â
âInstinct. They have the look of the weird types you find in espionage. And their subsequent behavior nailed it.â
âEspionage? What on earth is going on, Jonathan?â
He shook his head slowly. âI honestly donât know.â
âHave you done something?â
âNo.â He felt anger and bitterness rise inside him. âI think itâs something they want me to do.â
âWhat sort of thing?â
He changed the subject curtly. âTell me, how would you describe the boss one. The one with the camera and the gaudy shirt?â
She shrugged. âI donât know. An American, I suppose. A tourist?â
âNot a tourist. Even in his excitement, he checked the traffic from right to left. As though he were used to driving on the left. Americans check it from left to right.â
âBut the cowboy boots?â
âYes. But the trousers were of British cut.â
âHe did look odd, come to think of it. Like an American. But like an American in old movies.â
âExactly my impression.â
âWhat does that tell you?â She leaned forward conspiratorially.
Jonathan smiled at her, suddenly amused by the tone of their conversation. âNothing, really. Drink your coffee.â
She shook her head.
He withdrew into himself for several minutes, his brow furrowed, his eyes focused through the patterned wall he was staring at. Unit by unit he put together the flow of his necessary actions for the rest of the day. Then he took a deep breath and resettled his attention on Maggie. âOK, listen.â He drew his wallet from his jacket pocket. Folded in it were his checkbook, several sheets of writing paper, stamps, and envelopes, all of which he had collected in his tour of the penthouse flat. âIâll be damned!â He had also drawn out the envelope containing money the Renaissance man had given him for his ad hoc appraisal of the Marini
Horse.
He had completely forgotten about it. So he wasnât working all that lucidly after all. His reactions had rusted in the years since he had quit this kind of business forever. He opened the envelope and counted the money: ten fifty-pound notes. Good. He wouldnât have to use a check after all. âHere,â he said, passing two hundred pounds over the table, âtake this.â
She moved her hand away from the notes, as though to avoid contaminating contact. âI donât need it.â
âOf course you need it. You donât have a room. You donât have any money. And you canât go back to MacTaintâs.â
âWhy
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