break.
I sit in class,
studiously avoiding
the stares and whispers
that havenât stopped
since the night of the party.
I canât bring myself
to look at Matthew or Mary;
Annaâs still avoiding me.
Halfway through the hour
someone puts a drawing
down in front of me.
I look at Carl,
who looks back
with honest eyes.
I turn my gaze
to the lines of his pen,
see what heâs created.
Heâs drawn a picture of me,
a version of myself
I have never known:
his Fain is not lonely
or timid.
She is a warrior
with a flashing sword,
streaming hair,
expression fierce.
I know
she can do anything.
I lift my head
to thank Carl
but he is already drawing again,
putting his own truths to paper
where anyone
who cares to look
can see them.
Twisted Sheets
I am standing
on a mountain made of tongues,
all of them wriggling,
shouting at me
in a thousand different languages.
I am walking
down a street
empty of all but
wistful breezes
sighing stars
creaking doors.
I am being eaten
alive by crows,
their beaks
pecking and poking and tearing.
I am in a grave
with the bell rope
next to my hand,
but I canât move
to ring it.
And then I am being shaken awake,
listening to a low whisper
that tells me everything is all right,
Iâm safe.
âMom?â I whisper,
open my eyes
to her dim outline.
âYou were having a bad dream,â she says,
her palm a cool spot
on my skin.
I grab her hand
and hold it tight,
reassure myself
this isnât another dream.
âDonât leave,â I say.
She doesnât speak,
just slides down
into the space beside me,
tucks the covers
around us both.
She reeks
of cheeseburgers and coffee,
but I donât mind one bit.
For a few minutes
we breathe in sync,
Dana still sound asleep
till I feel myself
slipping away.
Then a movement
yanks me back
to the present;
my mother twitches and smiles
as if sheâs caught
in a thrilling dream.
I wonder
if sheâs floated amongst
the stars, too.
Fruit
At breakfast
I find an apple
in the fridge.
Think of the boy
from New Orleans,
hesitate,
put it back.
Take
an orange instead.
Wings
Today
the cafeteria is
made of only eyes and whispers.
My tree
seems far away
now that the teachers
have deemed it too cold
to eat outside.
Matthew sits in the corner
with Mary Mosley,
a king on his plastic throne.
I hesitate,
clutch my tray.
He catches my stare.
Even now
the sight of him
makes the birds in my stomach
flutter.
Anna sits beside them,
looks at me,
struggle written plainly
across her face.
We both know
she doesnât belong
with the Mary Mosleys
of the world.
But sometimes it feels impossible
to leave the familiar behind.
I canât help her;
there are some battles
we must fight on our own.
Then,
a voice.
âFain! Sit with me,â Dana demands.
I settle under
my sisterâs wing,
tucked around me
warm and safe.
The Rink
That night
I open my eyes to once again see
my sisterâs face above me,
a pale moon rising
over the horizon
of our room.
âGet up,â Dana orders.
She wonât answer any questions,
but I ask them all the same.
By the time I get to the door,
she and Tyler
are already there.
The three of us
sneak out,
walk the six blocks
to the rink.
Our snow pants swish,
heavy boots clomp.
We creep onto the ice
and our bladeless feet
donât matter:
we fall
and laugh
and glide
and spin.
Every time
I hit the ground,
they reach down
and pull me up.
All my nights
with the monsters
cannot compare to this.
Endings
Later that night
the monsters visit me
even though I havenât called them.
Still,
I take hold of their hands
and climb back out
into the cold.
The dongs of the clock
fade fast behind us.
The monsters
are more fearless than usual.
We fly with a flock of honking geese
across the midnight moon.
I think of gliding over ice,
holding tight to Dana
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