imaginary dummy a very high detachable celluloid collar and a black satin tie.
âSee that, sergeant? He dined at eight on Saturday â he had some pasta because he was on a diet. Then he read
the paper and drank mineral water, as usual. A little while after 10 p.m. he entered
this room and took off his jacket, keeping on his shoes and his detachable collar.â
In fact Maigret was talking not so much to the sergeant, who was listening intently and thought it his duty to nod approval of every remark, as to himself.
âNow where would his knife have been at that moment? It was a pocket flick-knife, the kind a lot of people carry on them. Wait a minute â¦â
He folded back the blade of the knife that was lying on the table with the other exhibits and slipped it into the left-hand pocket of the black trousers.
âNo, that makes creases in the wrong place.â He tried the right-hand pocket and seemed satisfied. âThere we are! He has his knife in his pocket. Heâs alive. And between eleven and twelve thirty at night he died.
Thereâs chalk and stone dust on the toes of his shoes. Iâve found marks left by the same kind of shoes opposite the window, on the wall surrounding Tiburce de Saint-Hilaireâs property. Did he take off his jacket to climb the wall? We have to remember that he wasnât a
man to make himself comfortable, even at home.â
Maigret was still walking round the room, leaving some of his sentences unfinished and never glancing at the listener sitting motionless on his chair.
âIâve found some remnants of burned paper in the fireplace â theyâd taken the stove out of it for the summer. Now letâs go over the movement he must have made: he takes off his jacket, burns the papers, crushes out the
ashes with the foot of that candlestick (I found sweat on the copper), he climbs the wall opposite after getting out over the window-sill, and he climbs back in the same way. Then
he takes the knife out of his pocket and opens it. Itâs not
much, but if we knew the order in which those things happened â¦Â Between eleven and twelve thirty heâs back here again. The window is open, and someone shoots him in the head. Thereâs no doubt about that â the bullet came before the knife wound, and it was fired from
outside. So Gallet took out his knife. He didnât try to get out, which would suggest that the murderer came into the room, because you donât fight someone seven metres away from you with a knife. And thereâs more to come: Gallet had half his face blown away. The wound was
bleeding, and thereâs not a drop of blood to be found near the window. The bloodstains we do find show that, once wounded, he moved in a circle with a diameter of no more than two metres.
Severe ecchymosis on left wrist
, writes the doctor who performed the post-mortem. So our
man is holding his knife in his left hand, and the murderer seized that hand to turn the weapon against him. The blade pierces his heart, and he falls all at once, dropping the knife. That doesnât bother the murderer,
who knows that it will have only the victimâs own
fingerprints on it.
Galletâs wallet is still in his pocket; nothing has been stolen from him. However, Criminal Records claims that there are tiny traces of rubber on the travelling bag in particular, as if someone had been holding it with rubber gloves on.â
âStrange! Very strange!â said the delighted sergeant, although he would not have been able to repeat a quarter of what had been said.
âThe strangest thing of all is that as well as those traces of rubber they found some powdered rust.â
âMaybe the revolver was rusty!â
Maigret said nothing in reply to this but went to stand
at the window, where, looking somewhat unkempt, with the sleeves of his white shirt billowing out, his outline looked enormous against the lighted
rectangle. A thin trail
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward