The Killing Moon (Dreamblood)

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Authors: N. K. Jemisin
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presence of so many citizens of note. Instead he stood still as they ambled about him, his awe stolen by Yanya-iyan itself. The main structure of the great palace surrounded the courtyard in an open-ended oval. He and the other guests stood within a curving valley of marble tiers, each decorated with embossings and troughs of flowers that seemed to have been stacked to the sky. At the open end, bronze lattice-gates twice the height of a man allowed commoners to peer in, if they dared; the guards would allow it if they seemed no threat. Even as Nijiri watched, two women at the gate pointed in at something beyond him. He turned to follow their gaze and stopped in fresh wonder.
    Far opposite the gates, at the other end of the courtyard, stood a pyramid-shaped elevated pavilion. Beneath the pavilion’s glass roof, at the top of a mountain of steps, sat a deceptively simple oxbow seat carved whole from a block of pale, shiny nhefti-wood.
    And there sat the Prince of Gujaareh, Lord of the Sunset, Avatar of Hananja, straight-backed and so still that Nijiri wondered for a moment whether the figure was flesh or painted stone. The answer came when a servant child crouched at thePrince’s left hand, offering a golden cup on a platter. The Prince moved an arm—no more than that—and took the cup without looking. Another child crouched nearly hidden behind the Prince, holding the staff that bore the Aureole of the Setting Sun: a wide semicircle of polished red-and gold-amber plates shaped like sunbeams, kept steady behind the Prince’s head. Around the Prince’s feet, twenty of his younger children sat arranged as living ornaments, reflecting their sire’s glory.
    “A rare sight,” a voice said beside Nijiri, startling him badly. He jerked about to see a woman in a gown of palest green, translucent hekeh fiber. She smiled at his discomfiture, flexing the delicately patterned scars along her otherwise smooth brown cheekbones.
    Women are goddesses
, rang the old adage through Nijiri’s mind before he swallowed and bowed over both hands, hazarding a guess. “Sister?”
    “Gatherer.” She inclined her head and spread her hands, her every movement grace. He stared, entranced by the way the black ropes of her hair caught the light. “Gatherer-Apprentice rather, given that I do not know you, and given that you gaze at me like a young man who hasn’t seen a woman older than twelve for many years. That would make you Nijiri.”
    He quickly lowered his eyes. “Yes, Sister.”
    “Meliatua is my name.” She nodded toward the Prince’s pavilion again. “I meant the Prince’s children, by the way. He rarely allows any but the oldest out in public.”
    “Ah, yes.” Nijiri groped for some more polite way to address her. “Sister” alone seemed rude, like calling one of his brethren merely “Servant.” But her order operated independently of theHetawa, and he knew nothing of their divisions of rank. Then it occurred to him that a conversation had begun between them and he was expected to respond, not stand there gawping like a fool.
    “I, I was just thinking that it must be terribly dull for the children,” he said, wincing inwardly at his stammer, “being forced to sit there for so long.”
    “The Prince will send them away presently. For the time being they’re on display, both as a sign of his devotion to Hananja and as a rebuke to the rest of these fools.” She looked around and sighed, either missing or ignoring Nijiri’s shock at her casual contempt. “They offer Her trifles; the Prince presents his own flesh and blood. If the Hetawa laid claim to any of those children right now, the Prince would have no choice but to agree.”
    Nijiri blinked in surprise. That the Hetawa could adopt any child who showed promise—orphaned or not—he knew. During his own years in the House of Children he had met several adoptees with living parents. But they had all, like Nijiri, been children of the lower and middling castes. He

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