tulip, too, as bright as the ones that grew along our curb last spring. And I draw a forget-me-not with only one petal leftâthe one that says
He loves me.
âCan we make all of these, Gus?â I ask, handing him the drawings. âAndâand can we make an iris, like at the Widow Hollisâs place? And grassâlike the kind in Mrs. Shoemackerâs yard? Grass as thick as the carpet in movie starsâ houses!â
Gusâs Cheshire cat grin comes back. âSure, Little Sister,â he says. The sweat of work makes him glisten like a tub full of pennies.
â¢Â â¢Â ⢠20 â¢Â â¢Â â¢
âLexie,â I call during our morning recess the next day. I can tell, from the way her walk hesitates, that sheâs heard her name. I can tell, too, from the way that she links her arm with Victoriaâs and quickens her pace, that sheâs ignoring me.
The way that sheâs racing to get away from me rips me apart, like Iâm being attacked by a vicious dog.
âLexie,â I repeat, louder this time, rushing to catch up to her. Harold and Irma Jean are with me, working so hard to keep up, the toes of their sneakers take a couple of bites out of my heels.
Weâre running so fast that the Halloween decorations on Dickersonâs classroom windows fly past like the pages in an old flip book.
âLexie!â
I shout so loud that everyone at the swing set and the teeter-totters turn toward me.
Their stares finally get her to turn around. âWhat?â she hisses. She eyes Victoria and shrugs, as if to tell her that she certainly hasnât done anything to encourage me to keep following after her.
âI-â I stutter, trying to remember what I was going to say. âI . . .â But my words get stuck in the back of my throat as I stare into her face, which looks upset and maybe even a little irritated. This is a face you turn toward a pesky little brother, not a face for a best friend.
How is it that Iâm nervous trying to get Lexieâs attention? How is it that I annoy her so muchâor is it that I embarrass her? Does the fact that we were friends embarrass her now? The way her eyes dart back and forth makes me think she doesnât want anyone to pay much attention to the fact that weâre talking.
âI wanted to invite you over. Both of you,â I say, trying to make my voice sound as smooth as river rock, and not nervous at all.
âI donât thinkââ Lexie starts, but I donât let her get the whole answer out.
âTo see our house,â I insist. âGus and I are working on it, you know. And Irma Jean is putting up new curtains in her front window, and Harold and his dad are working on their front yard.â
Lexie is still shaking her head. It hits me that sheâs so wrapped up in Victoria that she wants to agree with her on everything. So if I can convince
Victoria
to come over, Lexie will change her mind, too.
âBring your camera,â I tell Victoria. âAs a junior member of the House Beautification Committee, you could take photos of our improvements, and bring them back for the other members to see. I bet theyâd all really appreciate that.â
This sort of swells Victoria up, like sheâs a puffer fish ready to explode.
âNice,â Weird Harold hisses in my ear. âGreat strategy.â
âWe should go,â Victoria tells Lexie. âWhen?â she asks, looking at me.
âA week from Friday,â I say.
When Lexie nods an
okay,
I see some sort of flicker in her eyes. She looks like sheâs about to tell me somethingâmaybe even a secret, judging by the way she starts to lean in.
Instead, Victoria grabs Lexieâs arm and starts to haul her away as she announces, with a voice as forceful as a swift kick, âWeâll be there.â
â¢Â â¢Â ⢠21 â¢Â â¢Â â¢
âDear Mom,â I
Isabel Allende
Penthouse International
Susan Elaine Mac Nicol
Bob Mitchell
Joshua P. Simon
Iris Johansen
Pete McCarthy
Joan Elizabeth Lloyd
Tennessee Williams
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