its fishbowl start; thereâs a film over everything. The yellow rain gear Diane passes out is a relief. She points to the riverâa couple of the Mossom Creek guys are already stringing barrier nets at either end.
âThis is Station 1. If you want to work in the river, put on the hip waders,â Diane says. âStation 2ââshe puts a bucket and some plastic bags on the picnic tableââeggs and milt.â
A volunteer emerges from the bushes with a decapitated Coho. He pulls out a knife and sits at the table. One slit, and carnelian-coloured eggs spill out of her belly.
âSushi,â Lucky says and elbows me. âNo, really, thatâs brain food right there.â I move to the other side of the table, next to Lara.
âItâs true,â Diane says, âwant some?â
âNah, my brainâs already wasted.â Lucky laughs again. Everythingâs a big joke. She points to the fish bonkers Dianeâs unloaded from the truck. âIâll kill âem.â
âStation 3, eh?â Diane glances at the guard, who shrugs.
Lucky sees this. âCome on, better the clubs than the knives, right?â
âItâs no problem, Lucky,â Diane says. âLara?â
âWhere do you want to be?â Lara asks me.
âAs far away from Lucky as possible,â I say, quiet. She nods. We pull on the hip waders.
âAll right, Fishing Bear, show âem how itâs done,â Lucky calls.
Diane, unsurprisingly, looks horrified. Half of me is horrified too, the other half kinda wants to laugh.
A few steps in and the river is pushing me around, a downstream shove over polished rocks. Now Iâm in the way of progress. Around me, the Coho are boiling. Their panic is tangible but so is their resolve. Green ghosts shoot forward to snap at my calves, then scoot away. Encased in rubber, I still shrink from the contact.
A net proves useless; it bends and pulls when I dip into the current. I slip a little and swear under my breath. Sweat collects along my backbone.
âHow do you do this?â I call to Lara, but sheâs too far away and the river drowns me out. Shouldnât have had that coffee; my heart is pounding. Tweaked. A feeling Iâve been trying to avoid. My legs stiffen and the force of the river increases, so I bend my knees. This canât be as bad as handling a hive full of bees for the first time, when they seem terrifying, before you realize that youâre the Godzilla. I look down. The water is full of fish and all I have to do is reach in and grab one. Inhale, plunge a hand into the river, and connect five fingers with a solid body. It fights and escapes. I swing the net around, tie it onto my back, and try again, with both hands this time. Iâve never seen Coho teeth, not sure how much damage theyâd do. Lara watches for a sec, then she ditches her net and gets in there next to me.
Got one this time, right at the base of the tail. Heave and heâs in my arms. I was not expecting this: hook-faced, black-lipped, red-bellied sea monster. One eye missing, ripped fins, torn skin. Heâs winding meâfights with more strength than seems possible from a body already half decomposed.
I hang on, restraining a Mossom Creek Coho at the unforeseen end to his homecoming. Whispering hollow assurance: Laraâs percentages, chances of increased fry survival. Donât be afraid. Do not fear that woman on the shore, your executioner. You wonât meet death in your own river, what you were hoping for, I admit. But your DNA will be preserved, and thatâs what itâs all about, really.
I donât know if he hears me. He stops fighting. Diane andthe others are waiting on the shore with clubs and knives. Salmon enhancement. Natureâs Little Calipers. I think about the bees at the end of their
productive life cycle
, but thereâs no time to think, really, before the river shoves me back toward
Rachel Cantor
Halldór Laxness
Tami Hoag
Andrew Hallam
Sarah Gilman
Greg Kincaid
Robert Fagles Virgil, Bernard Knox
Margaret Grace
Julie Kenner
James Bibby