Read Online The Jaguar by T. Jefferson Parker - Free Book Online Page B
Authors: T. Jefferson Parker
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let them out on the second story, where they had seen the recording studio.
“The buttons and floors don’t match,” she said. “They are driving me crazy.”
“Driving? As a car?”
“Making me crazy. I mean, how many floors does this place have, anyway?”
Armenta looked at her as if he didn’t understand, then let Erin into a gallery. It was spacious and well lit by a network of halogen mini-bulbs. The floor was bird’s-eye maple and the walls were white plaster. They were hung with paintings and there were dozens of marble floor pedestals for sculpture from the Americas, some of it pre-Columbian and some of it contemporary. A man with a large black weapon stood in one corner, feet apart, arms cradling the gun.
“These are only a small part.”
“Of what?”
“My accomplishments.”
Armenta once again turned his back on her to talk into his phone. This time he spoke longer. His voice rose in volume and he cursed happily. In the corner the
sicario
uncradled his gun, lay a finger against the trigger guard and pointed the muzzle to the floor.
Suddenly, Saturnino burst into the gallery. His white Guayabera was drenched in sweat and streaked with blood and his eyes were wild with what looked like glee. There was a gun jammed into the waist of his jeans. He marched right up to Erin but stopped short and orbited her one full rotation, as in a dance, facing her and smilingwild-eyed. “You will be enjoying this!” While looking at her lips he kissed the air and spun off and loped over to his father who stood waiting, the phone still in his hand.
“Felix, papa!”
“Felix, el reportero?”
asked Armenta.
“Sí
, Padre. Felix! El reportero! El traidor!”
Now the zoo was filled with people. Marimba music came from big speakers hung from the walls and sitting on the cobblestones. Erin was wedged in hard between Armenta on her left and Saturnino on her right. Heriberto stood in front of her. She saw the other gunmen who had kidnapped her and beaten Bradley, and the gentle boy who had served her dinner and poured her wine. There were soldiers and uniformed police and scores of what had to be cartel henchmen, a dozen of the elegant black domestic staff both men and women, and there were Mayans who must have come from the villages nearby. A group of four women and four men stood apart from the others. The women were dressed in white dresses and their heads were covered with the white rebozos, as the women Erin had seen coming from the third floor. The men were dressed in white also, long-sleeved shirts untucked and baggy pants, and their heads were covered not by rebozos but by loose white balaclavas that appeared to be made of a light material. Some of the men and women wore white cloth gloves.
In a row of seats up close to the cages sat the elders, some Indian and some Mexican and others indeterminate. To their left a man screwed a small video recorder to a tripod. Someone turned off the marimba and now a ranchero song blasted from the speakers. The music was festive and loose with up-tempo accordions and guitars strummed on the back-beat and powerful tenors in harmony. Shelooked through the bars of the cages but saw no cats. The grates were all down and she suspected that the animals were lost to their runs. All this commotion would certainly send them running. No monkeys or sloth or coatimundi. The compound yard was filled with vehicles. The pigeons in the aviary flapped and flitted and cocked their heads toward the ruckus.
Then she saw a beautiful woman making her way through the crowd toward them. She wore a peach-colored dress that was both modest and flattering. Her hair was dark and lustrous. It took Erin a moment to recognize her but when the woman was within ten feet she knew for certain it was Owens Finnegan. It was jarring to see Owens so far from her context of California, but somehow, Erin thought, in some inexplicable way, she fit right in here.
Owens smiled at Benjamin Armenta, then came to
“The buttons and floors don’t match,” she said. “They are driving me crazy.”
“Driving? As a car?”
“Making me crazy. I mean, how many floors does this place have, anyway?”
Armenta looked at her as if he didn’t understand, then let Erin into a gallery. It was spacious and well lit by a network of halogen mini-bulbs. The floor was bird’s-eye maple and the walls were white plaster. They were hung with paintings and there were dozens of marble floor pedestals for sculpture from the Americas, some of it pre-Columbian and some of it contemporary. A man with a large black weapon stood in one corner, feet apart, arms cradling the gun.
“These are only a small part.”
“Of what?”
“My accomplishments.”
Armenta once again turned his back on her to talk into his phone. This time he spoke longer. His voice rose in volume and he cursed happily. In the corner the
sicario
uncradled his gun, lay a finger against the trigger guard and pointed the muzzle to the floor.
Suddenly, Saturnino burst into the gallery. His white Guayabera was drenched in sweat and streaked with blood and his eyes were wild with what looked like glee. There was a gun jammed into the waist of his jeans. He marched right up to Erin but stopped short and orbited her one full rotation, as in a dance, facing her and smilingwild-eyed. “You will be enjoying this!” While looking at her lips he kissed the air and spun off and loped over to his father who stood waiting, the phone still in his hand.
“Felix, papa!”
“Felix, el reportero?”
asked Armenta.
“Sí
, Padre. Felix! El reportero! El traidor!”
Now the zoo was filled with people. Marimba music came from big speakers hung from the walls and sitting on the cobblestones. Erin was wedged in hard between Armenta on her left and Saturnino on her right. Heriberto stood in front of her. She saw the other gunmen who had kidnapped her and beaten Bradley, and the gentle boy who had served her dinner and poured her wine. There were soldiers and uniformed police and scores of what had to be cartel henchmen, a dozen of the elegant black domestic staff both men and women, and there were Mayans who must have come from the villages nearby. A group of four women and four men stood apart from the others. The women were dressed in white dresses and their heads were covered with the white rebozos, as the women Erin had seen coming from the third floor. The men were dressed in white also, long-sleeved shirts untucked and baggy pants, and their heads were covered not by rebozos but by loose white balaclavas that appeared to be made of a light material. Some of the men and women wore white cloth gloves.
In a row of seats up close to the cages sat the elders, some Indian and some Mexican and others indeterminate. To their left a man screwed a small video recorder to a tripod. Someone turned off the marimba and now a ranchero song blasted from the speakers. The music was festive and loose with up-tempo accordions and guitars strummed on the back-beat and powerful tenors in harmony. Shelooked through the bars of the cages but saw no cats. The grates were all down and she suspected that the animals were lost to their runs. All this commotion would certainly send them running. No monkeys or sloth or coatimundi. The compound yard was filled with vehicles. The pigeons in the aviary flapped and flitted and cocked their heads toward the ruckus.
Then she saw a beautiful woman making her way through the crowd toward them. She wore a peach-colored dress that was both modest and flattering. Her hair was dark and lustrous. It took Erin a moment to recognize her but when the woman was within ten feet she knew for certain it was Owens Finnegan. It was jarring to see Owens so far from her context of California, but somehow, Erin thought, in some inexplicable way, she fit right in here.
Owens smiled at Benjamin Armenta, then came to
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