at Harriot. And even though he was genuinely angry, the technical director’s chest tingled with excitement.
“As you know,” Kiernan continued, “this isn’t the first time things have gone missing from the tool closet this year. And Doug and I are quite confident that the thief is sitting amongst you here tonight.”
The students shifted uncomfortably in their seats.
“Doug and I are the only people with keys to the tool closet, and thus we’ve narrowed down the possible time frames in which the tools could have been stolen. That’s right. The belt sander, as well as the tools that went missing earlier this semester, appear to have been stolen during
your
regularly scheduled crew hours.”
Kiernan’s voice was calm and deliberate, but Jennings knew the eruption was coming soon. He exchanged a knowing glance with his assistant Edmund Lambert. Lambert was a good egg, Jennings thought—the only kid in the bunch whom he still trusted. Well, Lambert was hardly a kid anymore—mid-twenties, former Army specialist, and built like a brick shithouse. It was Lambert who brought the latest theft to his attention as he was closing up after yesterday’s stage scenery crew; Lambert who’d since gone to Best Buyand installed the new webcam in the scene shop; Lambert who’d offered to sniff out the thieving bastard himself and teach him a little lesson “Screaming Eagle style.”
Doug Jennings felt a special kinship with his brother from the 101st Airborne. Both had done their stints out of Fort Campbell, Kentucky—Jennings in the mid-1980s; Lambert a few years ago. Finished up his bid with a tour in Iraq, saw the heaviest shit in Tal Afar, he said. Jennings kind of envied Lambert; saw him as a younger, leaner, meaner version of himself. Uncanny the way their lives paralleled each other: returning to school in their mid-twenties on the GI Bill; discovering their love of technical theatre later than most. And Doug Jennings didn’t regret taking his fellow Eagle under his wing. The past year had worked out great. He would have to give Lambert more responsibility now—get a key to the tool closet made for him and all that.
“I cannot begin to express how disturbed and disappointed I am by all this,” Kiernan said. “But what really burns my ass is the blatant disregard and betrayal of everything we here in the Department of Theatre and Dance stand for. And that’s
trust
. Whoever has stolen the items out of the tool closet has betrayed
all
of our trust. The trust we have in each other that everybody will do their job and work together toward a purpose greater than ourselves. What I’m talking about is having each other’s backs.”
Kiernan’s voice had grown steadily in speed and volume, his cheeks flushed, the perspiration beginning to break out like melting snow at the edges of his white receding hairline. And when he turned to retrieve his notepad from the edge of the stage, Doug Jennings knew the moment had arrived.
“But now I turn around,” Kiernan said over his shoulder, “and someone sticks a knife in my back.
Again
, goddammit!”
The theater was deathly quiet, the echo of the chair’s voice petering out into the stifled sobs of the female lead.The rest of the students sat with their eyes focused on their laps. They were scared, Jennings could tell, and that made him feel better.
“Now here’s what’s going to happen,” Kiernan said, his voice once again calm and measured. “Not only have we installed a new security camera in the scene shop, but the Greenville Police have already begun dusting for fingerprints. Harriot University is treating this as a criminal act that will be prosecuted. I will not only make sure that the thief or thieves are expelled, but have also made it my personal mission to see to it that they never work in the theatre again.
Period.
”
Kiernan paused to survey the crowd.
“However,” he continued, “I’m leaving the door open for the thief or thieves to return
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