The Hundred-Foot Journey

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Authors: Richard C. Morais
Tags: Cooking, Contemporary Fiction, Food
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his Indian bum squeezed into a pair of Ralph Lauren slacks simply set her off, and our roars commanding her to stop pinching his bottom only incited her to chase the poor boy through the halls. My cousin got even, however. It was he who spelled out to us in clinical detail how Ammi’s mental health was deteriorating.
    But she was not alone. A kind of madness was in the air.
    Mehtab became unduly preoccupied with her hair, ceaselessly primping for men who never came to take her out. And I myself retreated into the basement haze of hashish and foosball.
    *   *   *
    But even in hell there are moments when the light reaches you. One day, plodding to the Southall branch of the Bank of Baroda on an errand for Auntie, a shiny object caught my eye. It was what the English call a “chippie”—a food cart—standing between Ramesh “Tax Free!” Jewelry and a cash-and-carry selling bolts of faux-silk. The chippie had been modified: a silhouette of a train cut from sheet metal was oddly bolted to the front of it. JALEBI JUNCTION , read the sign overhead.
    The odd stall, I suddenly realized, was designed to sell the delicious deep-fried dessert that Bappu the cook used to buy for me at Crawford Market. A pang of homesickness and a craving for the old taste suddenly hit with great force, but the unmanned cart was cold and chained to a lamppost. I shuffled forward and read the pink sheet of paper taped to the carriage, fluttering forlornly in the wind: PART TIME HELP WANTED. ENQUIRIES: BATICA CHIPS .
    That night I dreamed I was driving a train, joyously blowing its whistle. The caboose rolled through stunning, snow-peaked mountains, taking me through a world rich beyond my wildest imagination, and I was exhilarated at never knowing what new sight lay in store for me through the next alpine tunnel.
    I did not know what the dream meant, but the movement of the train spoke to me somehow, and the next morning, like a shot, I was down on the High Street. Batica Chips was one of Southall’s two “quality sweet manufacturers,” its windows filled with honey and pistachio and coconut shreds. The door tinkled when I entered and the shop itself smelled of dried banana chips. A large woman ahead of me was preordering pounds of galum jamun, fried curd in syrup. When she left I handed in the pink note torn from the Jalebi Junction and timorously announced I’d like the job.
    “Not strong enough,” said the unshaven baker in his white coat, not even looking at me as he filled a carton with almond crescents.
    “I’ll work hard. Look. Strong legs.”
    The sweets merchant shook his head, and I realized my job application was already over, case dismissed. But I stood my ground. Refused to budge. And eventually the man’s wife came over and squeezed my skinny arm. She smelled of flour and curry.
    “Ahmed, he’ll do,” she said. “But pay him the minimum.”
    And so, not long afterward, I was wheeling the Jalebi Junction down Broadway High Street, in my Batica Chips uniform, selling sticky twists of jalebi to children and their grandparents.
    The Jalebi Junction job paid £3.10 an hour, and it consisted of making the house-style runny paste of condensed milk and flour in a cheesecloth, and then squeezing a continuous looping string of the mixture into the boiling oil. Squiggly loops, like pretzels. When done, I scooped the golden dollops of jalebi from the vat of boiling oil, dipped them in syrup, then carefully wrapped the sticky things in wax paper for the outstretched hands, collecting eighty pence.
    I can still feel the joy that was triggered by the sound of the simmering oil and my manly voice crying out in the street. By the smell of syrup and the cool feel of wax paper against my hands splattered and scarred by hot fat. Sometimes I’d roll the Junction to a spot in front of the Kwik Fit, or, if the spirit took me, sometimes outside the Harmony Hair Salon. Such a sense of freedom. And I will always be grateful to England for

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