so he goes out into the world, strolls through the streets, lingers before shop-windows, sits on a park bench, amuses himself for a couple of hours in a cinema, enters some museum on a sudden impulse to take another look at a favourite painting, in a word leads the life of someone who is paying a visit and will not be back all that soon. Sometimes, however, he does not fit all these things in. He often returns home in mid-afternoon, neither tired nor bored, simply because summoned by an inner voice with whom there is no point arguing, he has the manuscript of a book waiting for him, another one, because the publisher who values and esteems his work has never so far left him without work. Despite so many years of this monotonous existence, he is still curious to know what words might be waiting for him, what conflict, thesis, opinion, what simple plot, the same thing happened with
The History of the Siege of Lisbon,
nor is it surprising, for since his time at school neither chance nor inclination had aroused any further interest in such remote events.
This time, however, Raimundo Silva foresees that he will return home late, most likely he will even go to a midnight session at the cinema, and we do not need to be very perceptive in order to realise that he is anxious to keep out of the immediate reach of Costa, should the latter discover the deception, of which he is both author and accomplice, for as the author he erred and as the proof-reader he failed to correct the mistake. Besides, it is almost ten o'clock, at the press they must already be setting up the first frames, the printer, with slow and cautious movements which distinguish the specialist, will make any necessary adjustments after assembling the pages and locking them into the chase, any minute now the sheets of paper narrating the spurious
History of the Siege of Lisbon
will rapidly begin to appear, just as at any minute now the telephone might ring, strange that it should not have rung already, with Costa bellowing at the other end, An inexplicable error, Senhor Silva, fortunately I noticed it just in time, grab a taxi and get yourself here at once, this matter is your responsibility, I'm sorry but this is not something we can deal with over the telephone, I want you here in the presence of witnesses, Costa is so agitated that his voice sounds shrill, and Raimundo Silva, who is feeling just as nervous, or even more so, driven by these imaginings, gets dressed in haste, goes to the window to check the weather, it is cold but the sky is clear. On the other side, tall chimneys send up spirals of smoke which rise vertically at first, until broken by the wind and reduced to a slow cloud that heads southwards. Raimundo looks down at the roof-tops covering the ancient foundations of Lisbon. His hands are resting on the parapet of the verandah, he can feel the cold, rough ironwork, he is now tranquil, simply gazing, no longer thinking, feeling somewhat empty, when it suddenly occurs to him how he can spend his free day, something he has never done before, and those who complain of life's brevity only have themselves to blame if they have failed to take advantage of whatever life they have been given.
He left the verandah, looked amongst his papers for the first proofs of
The Siege,
still in his possession along with the second and third proofs, but not the original manuscript, that remains with the publishers once the first revision has been completed, he put them into a paper bag, and now the telephone starts ringing. Raimundo Silva shuddered, his left hand, raised out of habit, reached out, but stopped halfway and drew back, this black object is a time-bomb about to explode, a quivering rattlesnake ready to attack. Slowly, as if afraid that his footsteps might be heard where the call is coming from, the proof-reader moves away, muttering to himself, It's Costa, but he is wrong, and he will never find out who wanted to speak to him at this hour of the morning, who or
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