threaded his hand in mine. We both stared up at the emerging daylight.
âDo you know what this time of day is called?â
âYou mean, besides âdawnâ?â
âYes, besides âdawnâ or âthe break of dayâ.â
âThe last oneâs poetic.â
âSo is âthe blue hourâ.â
There was a pause while I let the phrase resonate for a moment or so. Then I tried it out myself:
âThe blue hour.â
âItâs rather lovely, isnât it?â
âIndeed. Neither darkness nor light.â
âThe hour when nothing is as it seems â when we are caught between the perceived and the imagined.â
âClarity and blur?â
âThe pellucid and the obscure? Simplicity masking enigma?â
âNice image,â I said.
He leaned over again and kissed me deeply. And said:
â
Jâai envie de toi
.â
And I wanted him so much too. Especially right now after all that restorative sleep. After that business in the alley. With the blue hour enveloping us.
He lifted me right out of my chair, his hands under my T-shirt. I pulled him towards me, feeling his hardness against me. Then he was steering us towards the bed. Some time later, as I bit into his shoulder, I came again and again. And then he let out a cry and shot into me.
We lay there, arms around each other, bewildered and, yes, happy.
âOur adventure begins now,â I said.
âIn the blue hour.â
But in the world beyond our bedroom window, emerging sunlight had already eradicated the dawn.
âThe blue hour has passed,â I said.
âUntil sunset this evening.â
âThe beginning of a day is always more mysterious than the onset of night.â
âBecause you donât know what lies ahead?â
âAt sunset you are more than halfway through the dayâs narrative,â I said. âAt dawn you have no idea what will transpire.â
âWhich is perhaps why the blue is always bluer at dawn. And why a sunset is always more wistful. The entry into night, the sense of another day of life spinning towards its end.â
Paul leaned over and kissed me on the lips.
âAs the Irish would say: âThereâs a pair of us in it.â
âHow do you know that expression?â
âAn Irish friend told it to me.â
âWhat Irish friend?â
âSomeone long ago.â
âA woman?â
âPerhaps.â
âPerhaps? You mean, youâre not certain if a certain Irish woman told you that?â
âOK, since you asked, her name was Siobhán Parsons. She was a professor of art at University College Dublin and not a bad painter. At the university in Buffalo for a year. Unmarried. As mad as a lamp, to use another of her favourite expressions. It lasted between us maybe three months. It was all around twelve years ago, when neither you nor I were aware of each otherâs existence.â
Paul kept so much about his life before me in a room marked âOff Limitsâ. And there was a part of me that was jealous about his past. Jealous about the fact that there were women who had known him intimately before me. No man had ever pleasured me the way he had, so I didnât like to think there were others whoâd felt what Iâd felt when he was inside me. Yet thinking all this here, now, I couldnât help but feel ridiculous.
Stupid. Stupid. Stupid.
As stupid as wandering off down that murky alleyway.
âIâm sorry,â I whispered.
âDonât be sorry. Just try to be happy.â
âI am happy.â
âThatâs good to hear,â he said, kissing me.
âHungry?â I asked.
âFamished.â
âMe too.â
âThereâs no way Iâm going downstairs dressed like this.â
âBut the outside world beckons. And do you really think anyone will care that youâve gone native?â
âIâll care.â
âI
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