The Hanged Man's Song

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Authors: John Sandford
Tags: thriller, Suspense, Mystery, Adult
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facets of the problem are unknown or unreachable, we deal with them in terms of past experience. That’s almost inescapable. But approaches that are useful with some problems don’t work with others. The tarot deck, whenused as a gaming system, pushes you outside past experience and encourages you to think of new ways to deal with it.
    Say, for example, you were involved in a complicated business transaction and that the group you were dealing with, the opposition, consisted of six members, five men and a woman. You begin doing tarot spreads and see a number of indications of female influence.
    This does not mean that the deck correctly predicts female influence in the transaction, but suggests that you should sit back and think about the woman on the other side, who might otherwise seem to be just another functionary. Why is she there? What specific influences does she have? Is there some way to approach her that would help with your deal?
    This has nothing to do with the supernatural—it’s simply a human way, and a fairly subtle way, to game a problem.
    LuEllen doesn’t believe that. She believes that I’m tapped into the Other Side. At one time she’d hassle me for a daily reading, until finally she asked me to do a spread on how long she’d live. I did a spread, and came up with ninety-four years.
    “That’s not bad,” she’d said.
    “Yeah, but this card”—I’d tapped the Tower, I believe—“suggests that the last fifty years will be in the high security unit at the Valley State Prison in California.”
    “Kidd,” she’d sputtered, “you, you gotta, what are you talking . . .”
    “Made you look,” I said. She didn’t bother me so much after that.
    >>> I CARRY a deck with me, in an old wooden box, wrapped in a piece of silk, just like the gypsies tell you to do. Because LuEllenshowed signs of slipping into a nudnik state, I did two quick tarot spreads on the motel room telephone table.
    Like most tarot spreads, the results were complicated. What should have been a clear outcome in both spreads, the final resolution card, was, in both cases, self-contradictory.
    “The Hanged Man,” LuEllen said, tapping the card with an index finger. She knows the cards well enough to pick out the major arcana. “The Hanged Man comes up twice, as the final resolution, and you’re saying that you don’t know what it means?”
    “It’s not a very useful outcome for gaming,” I said.
    “You’re not lying to me?” She looked at me suspiciously. “It doesn’t mean we’re going to die together in an automobile accident on the way to Jackson?”
    “No.” I pulled the cards together, wrapped them in the silk cloth, and put them back in the box. “The Hanged Man indicates a kind of suspended animation, a suspense between two states—a waiting state. Transition, maybe. Okay, so Bobby’s dead and everything is in transition. Well, duh. We already know that.”
    “It doesn’t even hint at what’s going to happen?”
    “LuEllen, the cards do not predict anything. ”
    “Yeah.” She crossed her arms, looked at me with exasperation. “You always say that, then it turns out that they always do.”
    “There have been some coincidences, but that’s all they were.”
    “Coincidences, my ass. Let’s go. You can tell me more about this Hanged Man on the way to Longstreet.”
    >>> LONGSTREET is on the Mississippi River northwest of Jackson. There isn’t much there, but there is one critical thing:a bridge. That by itself gives the town a regional importance. Bridges are uncommon on the lower Mississippi. People can go their entire lives never seeing towns that might be only a mile away, across the river, but fifty miles away by road.
    Longstreet was a tough place to get to from Beaumont. The trip took most of the day, even cooking along in the Olds. LuEllen’s a good driver, and she’d rather drive than ride, so she spent most of her time behind the wheel. I plugged in the laptop and continued to dig

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