shaver.
“Now you can get rid of that damn beard,” she said.
He grinned. He turned the rearview mirror toward himself and started to cut. His hair grew fast and thick, and the bushy beard and mustache had made him round faced. Now his own face gradually reemerged. With the scissors he trimmed the hair down to a stubble, then he used the shaver to finish the job. Finally he took off his cowboy hat and undid his plait.
He threw the hat out the window and looked at his reflection. His hair was pushed back from a high forehead and fell in waves around a gaunt face. He had a nose like a blade and hollow cheeks, but he had a sensual mouth—many women had told him that. However, it was his eyes they usually talked about. They were dark brown, almost black, and people said they had a forceful, staring quality that could be mesmerizing. Priest knew it was not the eyes themselves, but the intensity of the look that could captivate a woman: he gave her the feeling that he was concentrating powerfully on her and nothing else. He could do it to men, too. He practiced the Look now, in the mirror.
“Handsome devil,” Star said—laughing at him, but in a nice way, affectionate.
“Smart, too,” Priest said.
“I guess you are. You got us this machine, anyway.”
Priest nodded. “And you ain’t seen nothing yet.”
2
I n the Federal Building at 450 Golden Gate Avenue in San Francisco, early on Monday morning, FBI agent Judy Maddox sat in a courtroom on the fifteenth floor, waiting.
The court was furnished in blond wood. New courtrooms always were. They generally had no windows, so the architects tried to make them brighter by using light colors. That was her theory. She spent a lot of time waiting in courtrooms. Most law enforcement personnel did.
She was worried. In court she was often worried. Months of work, sometimes years, went into preparing a case, but there was no telling how it would go once it got to court. The defense might be inspired or incompetent, the judge a sharp-eyed sage or a senile old fool, the jury a group of intelligent, responsible citizens or a bunch of lowlife jerks who ought to be behind bars themselves.
Four men were on trial today: John Parton, Ernest “Taxman” Dias, Foong Lee, and Foong Ho. The Foong brothers were the big-time crooks, the other two their executives. In cooperation with a Hong Kong triad, they had set up a network for laundering money from the Northern California dope industry. It had taken Judy a year to figure out how they were doing it and another year to prove it.
She had one big advantage when going after Asian crooks: she looked Oriental. Her father was a green-eyed Irishman, but she tookmore after her late mother, who had been Vietnamese. Judy was slender and dark haired, with an upward slant to her eyes. The middle-aged Chinese gangsters she had been investigating had never suspected that this pretty little half-Asian girl was a hotshot FBI agent.
She was working with an assistant U.S. attorney whom she knew unusually well. His name was Don Riley, and until a year ago they had been living together. He was her age, thirty-six, and he was experienced, energetic, and as smart as a whip.
She had thought they had a watertight case. But the accused men had hired the top criminal law firm in the city and put together a clever, vigorous defense. Their lawyers had undermined the credibility of witnesses who were, inevitably, from the criminal milieu themselves; and they had exploited the documentary evidence amassed by Judy to confuse and bewilder the jury.
Now neither Judy nor Don could guess which way it would go.
Judy had a special reason to be worried about this case. Her immediate boss, the supervisor of the Asian Organized Crime squad, was about to retire, and she had applied for the job. The overall head of the San Francisco office, the special agent in charge, or SAC, would support her application, she knew. But she had a rival: Marvin Hayes, another high-flying
Michelle Rowen
M.L. Janes
Sherrilyn Kenyon, Dianna Love
Joseph Bruchac
Koko Brown
Zen Cho
Peter Dickinson
Vicki Lewis Thompson
Roger Moorhouse
Matt Christopher