darkness.
… The end. Period. We had the same moon then. It was spring—a premature, sickly spring like this one. The sky was gray, the earth was black, the trees were black too; only the bullet marks, as bright and fresh as milk, spoke of spring. Yes, that was the way it was. I was standing with Jerzy in front of our dugout. We had a good dugout, with a pine ceiling, and a requisitioned couch; there must have been forty of us sleeping in that dugout. Jerzy told me to go to the estate, two or three miles away, pretend this was an official requisition, and bring back some lard and flour. I picked three boys, and we were about to leave—the darker, the better; the later, the better; for the faces of people met at night are quickly forgotten, though the first impression is more vivid. We were leaving when the medic came out. “Bring some liquor that we can use for disinfecting the wounds,” he said, and handed us a canister. I was angry. “You want me to go to a bar?” I asked. “Don’t be an ass: there’s a still a few hundred yards this side of the estate. I know the owner; he is one of us, and lives in the little house next door. He won’t ask questions. He’s helped before.” I took the canister; the dull face of the moon was reflected in the white tin. I shuddered—there was something repulsive about all this. “Are you cold?” Jerzy asked. “No,” I said. “I’ll give you my sheepskin,” he said. “Thanks, I’ll manage.” And off we went. There were four of us—myself and the three boys. We carried knapsacks, the biggest we could get. The boys were young—two from the village, and one, a wiseguy from Cracow, whom I didn’t like. He had a couple of gold teeth and a rat’s face; his hands were sweaty, and he often rubbed them with alcohol, infuriating the medic by wasting the precious supply. Our commander, too, hit him over the head a few times. But why do I remember him so well?…
Next to a wall a drunk lay on the ground, his face in his own vomit. Franciszek stopped without thinking and bent over him; he shook the arm of the unconscious man, but he lay like a log. On the wall someone had chalked in block letters: “Manka is a whore. Ground floor, ring twice.” A little farther on, there was an inscription, “Hands off Korea.” And still farther, “These premises free of mines. Sergeant Blotniak.” The dim lights of an automobile moved silently along the slippery pavement. Over the city blazed a fiery neon sign: YOUNG PEOPLE READ
THE BANNER OF YO H
. Two letters had burned out long ago—it was like a mouth with teeth missing. Franciszek walked on. A girl with the face of a corpse said to him: “Hey, honey, where you going, baby?”
Farther on there were mud and concentrated darkness. Franciszek trudged on, sloshing stupidly through the mud. In a ground-floor window lights were burning; the brittle shadows of dancers drifted across the curtain; a loudspeaker was screeching
On the bridge across the river
… Someone was knocking at the house door: “Mr. Skowron, Mr. Skowron …” Franciszek turned to the left. Here was light—sharp, brilliant, hissing: some workers were soldering the tram rails at a crossing; drenched in blue light, wearing blue masks, they looked like ghosts.
… Now I know why I didn’t like that boy: he was a practical joker; he knew thousands of tricks—he had one for every day, for every occasion—and millions of jokes. Once he told me—once? it was that very night. Twenty-five workers armed with enormous tongs are carrying a long steel rail. “Hey-oop, hey-oop,” they shout. The rail is moving forward, inch by inch. The foreman comes in and shakes his head. “That’s not the way to do it, boys.” He picks up the rail, and carries it unaided for twenty yards. The workers smile contemptuously.“That’s nothing but brute strength,” they say; “what counts is the know-how.” The squirt. That night he talked more than ever, and finally I told
… The end. Period. We had the same moon then. It was spring—a premature, sickly spring like this one. The sky was gray, the earth was black, the trees were black too; only the bullet marks, as bright and fresh as milk, spoke of spring. Yes, that was the way it was. I was standing with Jerzy in front of our dugout. We had a good dugout, with a pine ceiling, and a requisitioned couch; there must have been forty of us sleeping in that dugout. Jerzy told me to go to the estate, two or three miles away, pretend this was an official requisition, and bring back some lard and flour. I picked three boys, and we were about to leave—the darker, the better; the later, the better; for the faces of people met at night are quickly forgotten, though the first impression is more vivid. We were leaving when the medic came out. “Bring some liquor that we can use for disinfecting the wounds,” he said, and handed us a canister. I was angry. “You want me to go to a bar?” I asked. “Don’t be an ass: there’s a still a few hundred yards this side of the estate. I know the owner; he is one of us, and lives in the little house next door. He won’t ask questions. He’s helped before.” I took the canister; the dull face of the moon was reflected in the white tin. I shuddered—there was something repulsive about all this. “Are you cold?” Jerzy asked. “No,” I said. “I’ll give you my sheepskin,” he said. “Thanks, I’ll manage.” And off we went. There were four of us—myself and the three boys. We carried knapsacks, the biggest we could get. The boys were young—two from the village, and one, a wiseguy from Cracow, whom I didn’t like. He had a couple of gold teeth and a rat’s face; his hands were sweaty, and he often rubbed them with alcohol, infuriating the medic by wasting the precious supply. Our commander, too, hit him over the head a few times. But why do I remember him so well?…
Next to a wall a drunk lay on the ground, his face in his own vomit. Franciszek stopped without thinking and bent over him; he shook the arm of the unconscious man, but he lay like a log. On the wall someone had chalked in block letters: “Manka is a whore. Ground floor, ring twice.” A little farther on, there was an inscription, “Hands off Korea.” And still farther, “These premises free of mines. Sergeant Blotniak.” The dim lights of an automobile moved silently along the slippery pavement. Over the city blazed a fiery neon sign: YOUNG PEOPLE READ
THE BANNER OF YO H
. Two letters had burned out long ago—it was like a mouth with teeth missing. Franciszek walked on. A girl with the face of a corpse said to him: “Hey, honey, where you going, baby?”
Farther on there were mud and concentrated darkness. Franciszek trudged on, sloshing stupidly through the mud. In a ground-floor window lights were burning; the brittle shadows of dancers drifted across the curtain; a loudspeaker was screeching
On the bridge across the river
… Someone was knocking at the house door: “Mr. Skowron, Mr. Skowron …” Franciszek turned to the left. Here was light—sharp, brilliant, hissing: some workers were soldering the tram rails at a crossing; drenched in blue light, wearing blue masks, they looked like ghosts.
… Now I know why I didn’t like that boy: he was a practical joker; he knew thousands of tricks—he had one for every day, for every occasion—and millions of jokes. Once he told me—once? it was that very night. Twenty-five workers armed with enormous tongs are carrying a long steel rail. “Hey-oop, hey-oop,” they shout. The rail is moving forward, inch by inch. The foreman comes in and shakes his head. “That’s not the way to do it, boys.” He picks up the rail, and carries it unaided for twenty yards. The workers smile contemptuously.“That’s nothing but brute strength,” they say; “what counts is the know-how.” The squirt. That night he talked more than ever, and finally I told
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