trees, seeing them grow large and soft as she approached. Then a strange bird called, a wild nocturnal sound, and she turned and ran back, suddenly terrified, as if a hostile breath had blown upon her, from another world, from the trees. And as she stumbled in her high heels over the uneven ground and regained balance, there was a stir and a cackle of fowls that had been waked by the lights of the car, and the homely sound comforted her. She stopped before the house, and put out her hand to touch the leaves of a plant standing in a tin on the wall of the verandah. Her fingers were fragrant with the dry scent of geraniums. Then a square of light appeared in the blank wall of the house, and she saw Dick's tall shape stooping inside, hazed by the candle he held in front of him. She went up the steps to the door, and stood waiting. Dick had vanished again, leaving the candle on the table. In the dim yellow light the room seemed tiny, tiny; and very low; the roof was the corrugated iron she had seen from outside; there was a strong musty smell, almost animal-like. Dick came back holding an old cocoa tin flattened at the rim to form a funnel, and climbed on the chair under the hanging lamp to fill it. The paraffin dripped greasily down and pattered on the floor, and the strong smell sickened her. The light flared up, flickered wildly, then settled into a low yellow flame. Now she could see the skins of animals on the red brick floor: some kind of wildcat, or perhaps a small leopard, and a big fawn-coloured skin of some buck. She sat down, bewildered by the strangeness of it all. Dick was watching her face, she knew, for signs of disappointment, and she forced herself to smile, though she felt weak with foreboding: this tiny stuffy room, the bare brick floor, the greasy lamp, were not what she had imagined. Apparently satisfied, Dick smiled at her gratefully, and said, `I will make some tea.' He disappeared again. When he came back, she was standing by the wall, looking at two pictures that hung there. One was of a chocolate-box lady with a rose in her hand; and the other was of a child of about six, torn off a calendar.
He flushed when he saw her, and stripped the picture from the walls. `I haven't looked at them for years,' he said, tearing them across. `But leave them,' she said, feeling an intruder on this man's intimate life: the two pictures, stuck up roughly on the wall with tintacks, had given her for the first time an insight into his loneliness, and made her understand his hurried courtship and blind need for her. But she felt alien to him, unable to fit herself to his need. Looking to the floor, she saw the pretty childish face, topped with curls, torn across, lying where he had thrown it. She picked it up, thinking "that he must be fond of children. They had never discussed children; there had not been time to discuss much. She looked for a waste-paper basket, for it offended her to see the scraps of paper on the floor, but Dick took it from her, squeezed it into a ball, and flung it into the corner. `We can put up something else,' he said shyly. It was his shyness, his defence towards her, that enabled her to hold her own. Feeling protectively towards him, which she did when he looked like that, bashful and appealing, she need not think of him as the man she had married who had claims on her. She sat herself down, with composure, in front of the tray he had brought in, and watched him pour tea. On a tin tray was a stained, torn cloth, and two enormous cracked cups. Across her wave of distaste came his voice: `But that is your job now'; and she took the teapot from him, and poured, feeling him watching her with proud delight.
Now she was here, the woman, clothing his bare little house with her presence, he could hardly contain himself with pleasure and exaltation. It seemed to him that he had been a fool to wait so long, living alone, planning a future that was so easily attainable. And then he looked at her town
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