The Grass Harp

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Authors: Truman Capote
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inside cabin had a mystifying tended- to look. Scattered around were issues of an adventure magazine, there was a kerosene lamp and a line of beer empties ranged on a table; the bunk sported a blanket, a pillow, and the pillow was colored with pink markings of lipstick. In a rush I realized the houseboat was someone’s hide-out; then, from the grin taking over Riley’s homely face, I knew whose it was. “What’s more,” he said, “you can get in a little fishing on the side. Don’t you tell anybody.” I crossed an admiring heart.
    While we were undressing I had a kind of dream. I dreamed the houseboat had been launched on the river with the five of us aboard: our laundry flapped like sails, in the pantry a coconut cake was cooking, a geranium bloomed on the windowsill—together we floated over changing rivers past varying views.
    The last of summer warmed the climbing sun, but the water, at first plunge, sent me chattering and chicken-skinned back to the deck where I stood watching Riley unconcernedly propel himself to and fro between the banks. An island of bamboo reeds, standing like the legs of cranes, shivered in a shallow patch, and Riley waded out among them with lowered, hunting eyes. He signaled to me. Though it hurt, I eased down into the cold river and swam to join him. The water bending the bamboowas clear and divided into knee-deep basins—Riley hovered above one: in the thin pool a coal-black catfish lay dozingly trapped. We closed in upon it with fingers tense as fork-prongs: thrashing backwards, it flung itself straight into my hands. The flailing razory whiskers made a gash across my palm, still I had the sense to hold on—thank goodness, for it’s the only fish I ever caught. Most people don’t believe it when I tell about catching a catfish barehanded; I say well ask Riley Henderson. We drove a spike of bamboo through its gills and swam back to the houseboat holding it aloft. Riley said it was one of the fattest catfish he’d ever seen: we would take it back to the tree and, since he’d bragged what a great hand he was at frying a catfish, let the Judge fix it for breakfast. As it turned out, that fish never got eaten.
    All this time at the tree-house there was a terrible situation. During our absence Sheriff Candle had returned backed by deputies and a warrant of arrest. Meanwhile, unaware of what was in store, Riley and I lazed along kicking over toadstools, sometimes stopping to skip rocks on the water.
    We still were some distance away when rioting voices reached us; they rang in the trees like axe-blows. I heard Catherine scream: roar, rather. It made such soup of my legs I couldn’t keep up with Riley, who grabbed a stick and began to run. I zigged one way, zagged another, then, having made a wrong turn, came out on the grass-field’s rim. And there was Catherine.
    Her dress was ripped down the front: she was good as naked. Ray Oliver, Jack Mill, and Big Eddie Stover, three grown men, cronies of the Sheriff, were dragging and slapping her through the grass. I wanted to kill them; and Catherine was trying to: but she didn’t stand a chance—though she butted them with her head, bounced them with her elbows. Big Eddie Stover was legally born a bastard; the other two made the grade on theirown. It was Big Eddie that went for me, and I slammed my catfish flat in his face. Catherine said, “You leave my baby be, he’s an orphan”; and, when she saw that he had me around the waist: “In the booboos, Collin, kick his old booboos.” So I did. Big Eddie’s face curdled like clabber. Jack Mill (he’s the one who a year later got locked in the ice-plant and froze to death: served him right) snatched at me, but I bolted across the field and crouched down in the tallest grass. I don’t think they bothered to look for me, they had their hands so full with Catherine; she fought them the whole way, and I watched her, sick with knowing there was no help to give, until they passed out of sight

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