sharp note of surprise or protest in his tone. It was as if Keeling were breaking off the battle. McAlister was spinning the wheel round clockwise; Keeling lurched, rolled, shipped a hundred tons of water as her circular momentum was abruptly nullified and then reversed.
Two children running round a table, one in pursuit of the other. It was the oldest stratagem in the world for the pursuer to reverse direction, and run the other way round, for the pursued to run straight into his arms; it was up to the pursued to anticipate that turn and turn himself at the same moment. In this pursuit of U-boat by destroyer it was not possible for the destroyer to attempt the same manoeuvre; the destroyer turned far too slowly and far too wide, reversing her turn would take her far out of sonar range; it would be, as McAlister thought, an abandonment of the pursuit. But that was not all the story. In this pursuit it was up to the U-boat to do something different, for if she maintained her circling course indefinitely she would certainly be caught in the end.
There was really only one change she could make, to turn suddenly and head in another direction, in the opposite direction for choice. She had practised that trick once already with considerable success. She turned faster than the destroyer in any case; and she had the advantage of gaining time. There were the seconds it took for Ellis to note the change in the bearing. There were the seconds it took for that change to be reported to the bridge. There were the seconds it took for new helm orders to be given, and then there were the long, long seconds it took for Keeling to alter course. The U-boat could start her turn at her own selected moment, in response to a single order from her captain. It would be half a minute before the destroyer could begin to imitate her, and half a minute on practically reciprocating courses meant a divergence of some hundreds of yards, an enormous gain. The U-boat had only to repeat the manoeuvre successfully a few times to be out of sonar range and safe.
But what if the destroyer anticipated the manoeuvre, and turned a second or two before the U-boat did? Then for those seconds, or longer, until the U-boat realized what the destroyer was doing--and she would be under much the same handicap regarding the translation of information in action as the destroyer had been labouring under--the U-boat would be running straight into the destroyer’s arms, like the child running round the table. A childish stratagem indeed, simplicity itself, like most of the stratagems of war; but, like most of the stratagems of war, more easily thought of than executed. Not only quickness of thought was necessary for the execution, but resolution, determination. It was necessary to make up one’s mind and carry the plan through, to balance risk against gain and to be neither deterred by the one nor dazzled by the other. At the moment when Krause gave the order for right rudder Keeling had the U-boat well within sonar range, she was in hot pursuit, and even if she took no radical new action she had a slight chance of closing on her enemy. The turn meant risking all this. If the U-boat simply continued her course while Keeling wheeled away loss of all sonar contact would ensue practically for certain. The U-boat would be free to carry out any attack on the approaching convoy that her captain might decide upon. That was the stake that Krause was laying on the table, apparently. But it was not as great as it appeared, for there was the consideration that if he went on circling after the U-boat, turning, tardily, after she turned, he would gradually be left behind, would gradually find himself on a wider and wider bearing and would eventually be shaken off. He was not staking a certainty against a possibility, but one possibility against another.
There was a further consideration that might have influenced Krause; it might have influenced him but it did not. He was handling his
Patricia Hagan
Rebecca Tope
K. L. Denman
Michelle Birbeck
Kaira Rouda
Annette Gordon-Reed
Patricia Sprinkle
Jess Foley
Kevin J. Anderson
Tim Adler