shoulder of the road.
It’s no wonder then that it takes a good hundred or so miles for her to tell me she has to pee, to get the guts to lay a trembling hand on my arm and get my attention.
“What?” I snap, pulling my arm away from her hand. It’s approaching dawn. She’s wiggling in her seat. There’s a sense of urgency in her eyes. I rip off the duct tape and she lets out a moan. It hurt. It hurt like hell.
Good, I think to myself. That’ll teach her to keep her mouth shut when I tell her to.
“I have to use the bathroom,” she mumbles, afraid.
I pull into the gravel parking lot of some run-down truck stop outside Eau Claire. The sun is beginning to rise over a dairy farm to the east. A herd of Holsteins grazes along the road. It’s gonna be a sunny day, but it’s damn cold. October. The trees are changing.
In the parking lot I hesitate. It’s all but empty, only one car, a rusty old station wagon with political bumper stickers plastered across the back, the rear headlight held to the car with packaging tape. My heart races. I stick the gun in the seat of my pants. It’s not like I haven’t been thinking about this since we left. I knew this was something I’d have to do. By now the girl was supposed to be with Dalmar, and I figured I’d be trying hard to forget what I’d done. I didn’t plan for this. But if this is going to work, there are things we need, like money. I have some money on me but not enough for this. I emptied the girl’s wallet before we left. Credit cards are out of the question. I pull a knife from the glove box. Before I cut the girl’s restraints I say, “You stay with me. Don’t try anything stupid.” I tell her she can use the bathroom when I say so, only when I say it’s okay. I cut her rope. Then I cut two feet of spare rope and stuff it in a coat pocket.
The girl looks ridiculous as she steps from the truck in the wrinkled shirt that doesn’t even reach all the way to her wrists. She crosses her arms across herself and ties them into a knot. She shudders from the cold. Her hair falls down into her face. She keeps her head bent, eyes on the gravel. Her forearms are bruised, right across some stupid Chinese tattoo on her inner arm.
There’s only one lady working, not a single customer. Just as I thought. I wrap my arm around the girl and pull her toward me, try to make it seem like we’re close. Her feet hesitate and fall out of sync with mine. She trips but I stop her before she can fall. My eyes threaten her to behave. My hands on her are not a sign of intimacy. They’re a show of force. She knows it, but the lady behind the register does not.
We walk up and down the aisles, make sure as hell we’re the only ones in the place. I grab a box of envelopes. I check the bathroom to make sure it’s empty. I make sure there isn’t a window the girl could jump out of, and then I tell her to pee. The woman at the register gives me a strange look. I roll my eyes and tell her the girl’s had too much to drink. Apparently she buys it. It seems to take forever for the girl to pee and when I peek inside again, she’s standing before the mirror, splashing water on her face. She stares at her reflection for a long time. “Let’s go,” I say after a minute.
And then we head to the register to pay for the envelopes. But we don’t pay for the envelopes. The lady’s distracted, watching old 1970s reruns on a twelve-inch TV. I look around, make sure there’s no cameras in the place.
And then I come up behind her, pull the gun from the seat of my pants and tell her to empty the fucking register.
I don’t know who panics more. The girl freezes, her face filled with fear. Here I am, with the barrel of the gun pressed against some middle-aged lady’s gray hair, and she’s a witness. An accomplice. The girl starts asking what I’m doing. Over and over again. “What are you doing?” she cries.
I tell her to shut up.
The lady is begging for her life. “Please
It’s no wonder then that it takes a good hundred or so miles for her to tell me she has to pee, to get the guts to lay a trembling hand on my arm and get my attention.
“What?” I snap, pulling my arm away from her hand. It’s approaching dawn. She’s wiggling in her seat. There’s a sense of urgency in her eyes. I rip off the duct tape and she lets out a moan. It hurt. It hurt like hell.
Good, I think to myself. That’ll teach her to keep her mouth shut when I tell her to.
“I have to use the bathroom,” she mumbles, afraid.
I pull into the gravel parking lot of some run-down truck stop outside Eau Claire. The sun is beginning to rise over a dairy farm to the east. A herd of Holsteins grazes along the road. It’s gonna be a sunny day, but it’s damn cold. October. The trees are changing.
In the parking lot I hesitate. It’s all but empty, only one car, a rusty old station wagon with political bumper stickers plastered across the back, the rear headlight held to the car with packaging tape. My heart races. I stick the gun in the seat of my pants. It’s not like I haven’t been thinking about this since we left. I knew this was something I’d have to do. By now the girl was supposed to be with Dalmar, and I figured I’d be trying hard to forget what I’d done. I didn’t plan for this. But if this is going to work, there are things we need, like money. I have some money on me but not enough for this. I emptied the girl’s wallet before we left. Credit cards are out of the question. I pull a knife from the glove box. Before I cut the girl’s restraints I say, “You stay with me. Don’t try anything stupid.” I tell her she can use the bathroom when I say so, only when I say it’s okay. I cut her rope. Then I cut two feet of spare rope and stuff it in a coat pocket.
The girl looks ridiculous as she steps from the truck in the wrinkled shirt that doesn’t even reach all the way to her wrists. She crosses her arms across herself and ties them into a knot. She shudders from the cold. Her hair falls down into her face. She keeps her head bent, eyes on the gravel. Her forearms are bruised, right across some stupid Chinese tattoo on her inner arm.
There’s only one lady working, not a single customer. Just as I thought. I wrap my arm around the girl and pull her toward me, try to make it seem like we’re close. Her feet hesitate and fall out of sync with mine. She trips but I stop her before she can fall. My eyes threaten her to behave. My hands on her are not a sign of intimacy. They’re a show of force. She knows it, but the lady behind the register does not.
We walk up and down the aisles, make sure as hell we’re the only ones in the place. I grab a box of envelopes. I check the bathroom to make sure it’s empty. I make sure there isn’t a window the girl could jump out of, and then I tell her to pee. The woman at the register gives me a strange look. I roll my eyes and tell her the girl’s had too much to drink. Apparently she buys it. It seems to take forever for the girl to pee and when I peek inside again, she’s standing before the mirror, splashing water on her face. She stares at her reflection for a long time. “Let’s go,” I say after a minute.
And then we head to the register to pay for the envelopes. But we don’t pay for the envelopes. The lady’s distracted, watching old 1970s reruns on a twelve-inch TV. I look around, make sure there’s no cameras in the place.
And then I come up behind her, pull the gun from the seat of my pants and tell her to empty the fucking register.
I don’t know who panics more. The girl freezes, her face filled with fear. Here I am, with the barrel of the gun pressed against some middle-aged lady’s gray hair, and she’s a witness. An accomplice. The girl starts asking what I’m doing. Over and over again. “What are you doing?” she cries.
I tell her to shut up.
The lady is begging for her life. “Please
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