The Glass Palace

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Authors: Amitav Ghosh
Tags: Historical, Contemporary, Travel
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tears.
    Rajkumar recognised several people from the looting of the night before. He recalled how they had hacked at the furniture and dug up the floors. Now those very men and women were lying prostrate with grief, mourning the loss of their King and sobbing in what looked like inconsolable sorrow.
    Rajkumar was at a loss to understand this grief. He was, in a way, a feral creature, unaware that in certain places there exist invisible bonds linking people to one another through personifications of their commonality. In the Bengal of his birth those ties had been sundered by a century of conquest and no longer existed even as memory. Beyond the ties of blood, friendship and immediate reciprocity, Rajkumar recognised no loyalties, no obligations and no limits on the compass of his right to provide for himself. He reserved his trust and affection for those who earned it by concrete example and proven goodwill. Once earned, his loyalty was given wholeheartedly, with none of those unspoken provisions with which people usually guard against betrayal. In this too he was not unlike a creature that had returned to the wild. But that there should exist a universe of loyalties that was unrelated to himself and his own immediate needs—this was very nearly incomprehensible.
    An anguished murmur ran through the crowd: the captives were moving, alighting from their ox-carts, entering a ship. Rajkumar jumped quickly into the branches of a nearby tree. The river was far away and all he could see was a steamer and a line of tiny figures filing up a gangplank. It was impossible to tell the figures apart. Then the ship’s lights went out and it disappeared into the darkness.
    Many thousands kept vigil through the night. The steamer’s name was Thooriya , the sun. At daybreak, when the skies lightened over the hills, it was gone.

five

    A fter five days on the Irrawaddy the Thooriya slipped into the Rangoon river in the near-darkness of late evening. It anchored at mid-river, a good distance from the city’s busy dockside.
    At first light the next day the King went up on deck, carrying a pair of gilded binoculars. The glasses were of French manufacture, a prized heirloom that had once belonged to King Mindon. The old King had been much attached to the binoculars and had always carried them with him, even into his Audience Hall.
    It was a cold morning and an opaque fog had risen off the river. The King waited patiently for the sun to scorch away the mist. When it had thinned a little he raised his glasses. Suddenly, there it was, the sight he had longed to see all his life: the towering mass of the Shwe Dagon Pagoda, larger even than he had imagined, its hti thrusting skywards, floating on a bed of mist and fog, shining in the light of the dawn. He had worked on the hti himself, helped with his own hands in the gilding of the spire, layering sheets of gold leaf upon each other. It was King Mindon who had had the hti cast, in Mandalay; it had been sent down to the Shwe Dagon in a royal barge. He, Thebaw, had been a novice in the monastery then, and everybody, even the seniormost monks, had vied with each other for the honour of working on the hti.
    The King lowered his binoculars to scan the city’s waterfront. The instrument’s rims welled over with a busy mass of things: walls, columns, carriages and hurrying people. Thebaw had heard about Rangoon from his half-brother, the Thonzai Prince. The town was founded by their ancestor, Alaungpaya, but few members of their dynasty had ever been able to visit it. The British had seized the town before Thebaw’s birth, along with all of Burma’s coastal provinces. It was then that the frontiers of the Burmese kingdom were driven back, almost halfway up the Irrawaddy. Since then the only members of the Royal Family who had been able to visit Rangoon were rebels and exiles, princes who had fallen out with the ruling powers in Mandalay.
    The Thonzai Prince was one such: he had

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