reports and the game. And thanks to the characters and symbols on all of the tiles, the girls were inspired to teach Nombeko their Chinese dialect, upon which everyone had a good laugh at how quickly she learned and at the sisters’ less-successful attempts at the Xhosa Nombeko had learned from her mother.
From a historical perspective, the three Chinese girls’ morals were more dubious than Nombeko’s. They had ended up in the engineer’s possession in approximately the same way, but for fifteen years instead of seven. They had happened to meet the engineer at a bar in Johannesburg; he had made a pass at all three of them at the same time but was told that they needed money for a sick relative and wanted to sell . . . not their bodies, but rather a valuable family heirloom.
The engineer’s first priority was his horniness, but his second priority was the suspicion that he could make a killing, so he followed the girls home. There they showed him a patterned pottery goose from the Han dynasty, from approximately one hundred years before Christ. The girls wanted twenty thousand rand for the goose; the engineer realized that it must be worth at least ten times more, maybe a hundred! But the girls weren’t just girls – they were also Chinese, so he offered them fifteen thousand in cash outside the bank the next morning (‘Five thousand each, or nothing!’) and the idiots agreed to it.
The unique goose was given a place of honor on a pedestal in the engineer’s office until a year later when an Israeli Mossad agent, also a participant in the nuclear weapons project, took a closer look at the piece and declared it to be junk within ten seconds. The investigation that followed, led by an engineer with murder in his eyes, found that the goose had in fact been produced not by craftsmen in the province of Zhejiang during the Han dynasty approximately one hundred years before Christ, but rather by three young Chinese girls in a suburb of Johannesburg, during no dynasty at all, approximately one thousand, nine hundred and seventy five years after Christ.
But the girls had been careless enough to show him the goose in their own home. So the engineer and the legal system got hold of all three of them. Only two rand were left of the fifteen thousand, which was why the girls were now locked up at Pelindaba for at least ten more years. ‘Among ourselves, we call the engineer “鹅”,’ said one of the girls.
‘The goose,’ Nombeko translated.
What the Chinese girls wanted most of all was to return to the Chinese quarter of Johannesburg and continue producing geese from the time before Christ, but just do it a bit more elegantly than last time.
In the meantime, they had as little to complain about as Nombeko. Their work responsibilities were, among other things, to serve food to the engineer and the guards, as well as handle incoming and outgoing post. Especially the outgoing post. Everything, large and small, that could be stolen without being missed too much was quite simply addressed to the girls’ mother and placed in the out-box. Their mother received it all gratefully and sold it on, pleased with herself for once having made the investment of letting her girls learn to read and write in English.
Now and then they made a mess of things, though, because their methods were sloppy and risky. Like the time one of them mixed up the address labels and the prime minister himself called Engineer Westhuizen to ask why he had received eight candles, two hole-punches and four empty binders in his package – just as the Chinese girls’ mother received and immediately burned a four-hundred-page technical report on the disadvantages of using neptunium as a base for a fission charge.
* * *
Nombeko was irritated that it had taken her so long to realize what a fix she was in. In practice, given the way things had unfolded, she hadn’t been sentenced to seven years in the engineer’s service at all. She was there for life.
Janet Dailey, Elizabeth Bass, Cathy Lamb, Mary Carter
Hulbert Footner
Colby Marshall
Debra Druzy
Garrett Leigh
Will Elliott
Katherine Kurtz
Matt Braun
Alisa Mullen
Charles Dickens