Read Online The Forgotten Seamstress by Liz Trenow - Free Book Online Page A

till I die, I tell you. Thinking about it has helped me laugh through the blackest of times since, and there have been plenty of them, let me tell you.
    Anyway, I managed to pin the fabric without sticking a pin into the royal nether regions and then stood back while he regarded himself for a long time in the long mirror again and finally pronounced that the shape of the breeches was now much improved. He turned to me, said a brief ‘Thank you’, and then, without so much as a by your leave, undid the hooks at the waist, dropped the breeches to the floor and stepped out of them, in his undershorts alone.
    Of course I turned my eyes away, blushing to the roots of my hair and the soles of my feet. A man in his underwear wasn’t something I’d ever seen before but Finch took no notice, as if it was perfectly normal to see the prince in a state of undress. When I thought about it later, that was probably how a valet sees his master most days. He just pointed to me again to pick up the breeches and said, ‘Thank you, sir, we will return these first thing in the morning. Just to remind you, it is a six o’clock start, sir, for the rehearsal at Carnarvon tomorrow afternoon. Will that be all?’
    ‘That will be all, Mr Finch,’ said the prince, ‘and you too, little Miss Romano.’ Finch bowed and I curtseyed again, and I copied him as he shuffled crabwise out of the chamber so’s not to turn his back on His Royal Highness. I was that elated about the whole business that I seemed to glide along the corridors and downstairs to the sewing room without touching the floor. What a red letter day it turned out to be. I had just been within inches of my heart’s desire, the boy who would be King of England.
And
Finch said I was the best seamstress in the palace.
    After that I was so determined to prove it, I spent most of the night on the alterations to the prince’s breeches. First I had to remove the knee band and the satin rosette on each leg and then take in both side seams. The satin was so delicate that every stitch threatened to rip the fabric unless I used the very finest of needles with a single strand of silk thread, and sewed the tiniest of fairy stitches. Knowing that if I had got it wrong there would be no going back and my job at the palace would probably end here and now, I cut away the excess fabric and oversewed the seams to stop them fraying. Then I had to re-gather, with a double line of tacking stitch, and sew back the below-knee band and fit the rosette in exactly the right place. It wouldn’t do for it to hang out at the back or stick out at the front – or, nightmare of nightmares – to fall off in the middle of this investi-wotsit.
    After all that, I pressed the seams flat with a very cool iron ever so carefully – imagine if I had singed them – so that they would sit perfectly on the prince’s beautiful limbs. The big clock on the sewing room wall ticked around at an alarming pace, but I was finished at ten minutes to five o’clock, so I wrapped the breeches in some white cambric, picked up my sewing kit again and went in search of Mr Finch in the servants’ hall.
    I heard nothing more for quite a few days and so I had to assume that my work had been to the prince’s satisfaction. Gossip in the servants’ hall was that the event had been a great success, that the rain had held off, and the prince had said his lines in Welsh correctly and the king had been very pleased. There were photographs in the newspaper, and to be honest he did look a bit of a ninny even with the slimmed down version of the satin breeches I’d created, but at least I had done my best. After all the excitement of that night, I felt a little let down that my efforts had gone unnoticed and un-thanked.
    Until Mr Finch arrived in the sewing room one afternoon and passed me a note. He stood in the doorway while I opened it, my fingers trembling terribly as I’d given a bit of cheek to the housekeeper the day before and feared