week, for instance, I was slicing a red pepper, making neat thin strips with the very sharp carving knife Iâd bought the day before, when she announced, âI never even saw a red pepper until after I was divorced,â from so close behind me that she could have been sitting on my shoulder. When I whirled around and damn near gutted her, she didnât even blink. She just picked up one of the pepper strips, and bit it in half. âI thought all peppers were green,â she said. âAnd I never did see a romaine lettuce until I was twenty-one. Imagine.â
The absence of romaine and red peppers. Divorce. Billy drops these clues about her former life like Hansel and Gretel leaving breadcrumbs. When I asked her once, by way of conversation, how she made a living, she shrugged and replied, âOh you know, stuff.â Then, a second later, she added, âFor a while I used to be a nurse,â like it was something sheâd just remembered.
Now she reappears in the kitchen and pours herself the last of the coffee. Then she opens the French windows so she can have a cigarette, which would probably give Signora Bardino a seizure if she knew about it. Despite her Sophia Loren accent and liberal use of the word bambina , Signora Bardino is still American enough that she wanted to know we didnât smoke before she rented to us. We assured her, of course, in unison, that we didnât. In my case itâs true. But in Billyâs itâs a downright lie.
Iâve told her cigarettes will kill her. A few days after we moved in, I pointed out that theyâll strike her dead sure as a bullet or a speeding car. But Billy just smiled and pulled out her pink Elvis lighter. âMy ex-husband bought this for me in Vegas,â she said. âAs a wedding present. A week after we graduated High School.â
Now smoke hovers above Billyâs head and hangs in the damp morning air, mingling with the faint smell of diesel and mud that rises from the river a block away.
âListen.â She cocks her head and gestures to the apartment opposite, and I hear it too, the high-pitched whine of a child crying.
Weâve heard it before, more than once. In fact, itâs become something of a feature of living here. In the mornings itâs usually a petulant shriek, the bratty yell of a second pastry denied, or toast thrown on the floor. But at night itâs different. At night the crying is deep and breathless, the jagged, frantic scream of nightmares.
âThey fight,â Billy says. âThatâs whatâs wrong with that kid.â
She nods her head like an old woman as she speaks, punctuating the words with certainty, because weâve heard that too. Along with the childâs howling, weâve heard the ring of adult voices, the rising rhythms of sarcasm, and trills of matrimonial gripe that are so universal they donât need translation. Walking across the courtyard, or sitting out on the balcony, we can even figure out, more or less, which names they call each other.
The wail reaches a crescendo, and Billy stubs her cigarette out in the green tin ashtray she stole from the bar. âKids,â she says. âI tell you. Theyâre cute, but you know, whenever I felt tempted, I just thought what it would be like to have a vampire hanging from my tits.â Then she goes to get dressed for a lecture on Perugino she doesnât want to miss.
A few minutes later, I stand on the balcony and watch as she comes out of our side of the building and walks across the court-yard. Halfway, she stops and looks up. Her hair ripples around her face, and from up here the baggy tweed coat she bought in the market at San Ambrogio looks like a tent. âBar?â she mouths, and I nod. Pierangelo has already told me heâll be late tonight so thereâs no reason not to join the others for a drink. I wave, and Billy waves back. Then she hoists her leather pack, skirts the
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