established by an examination of the prison records: Eight weeks before a man named Baudru Désiré had slept at the Dépôt. He was released the next day, and left the Dépôt at two o’clock in the afternoon. On the same day at two o’clock, having been examined for the last time, Arsène Lupin left the Dépôt in a prison-van.
Had the guards made a mistake? Had they been deceived by the resemblance and carelessly substituted this man for their prisoner?
Another question suggested itself: Had the substitution been arranged in advance? In that event Baudru must have been an accomplice and must have caused his own arrest for the express purpose of taking Lupin’s place. But then, by what miracle had such a plan, based on a series of improbable chances, been carried to success?
Baudru Désiré was turned over to the anthropological service; they had never seen anything like him. However, they easily traced his past history. He was known at Courbevois, at Asnières and at Levallois. He lived on alms and slept in one of those rag-picker’s huts near the barrier de Ternes. He had disappeared from there a year ago.
Had he been enticed away by Arsène Lupin? There was no evidence to that effect. And even if that was so, it did not explain the flight of the prisoner. That still remained a mystery. Amongst twenty theories which sought to explain it, not one was satisfactory. Of the escape itself, there was no doubt; an escape that was incomprehensible, sensational, in which the public, as well as the officers of the law, could detect a carefully prepared plan, a combination of circumstances marvelously dove-tailed, whereof the dénouement fully justified the confident prediction of Arsène Lupin: “I shall not be present at my trial.”
After a month of patient investigation, the problem remained unsolved. The poor devil of a Baudru could not be kept in prison indefinitely, and to place him on trial would be ridiculous. There was no charge against him. Consequently, he was released; but the chief of the Sûrété resolved to keep him under surveillance. This idea originated with Ganimard. From his point of view there was neither complicity nor chance. Baudru was an instrument upon which Arsène Lupin had played with his extraordinary skill. Baudru, when set at liberty, would lead them to Arsène Lupin or, at least, to some of his accomplices. The two inspectors, Folenfant and Dieuzy, were assigned to assist Ganimard.
One foggy morning in January the prison gates opened and Baudru Désiré stepped forth—a free man. At first he appeared to be quite embarrassed, and walked like a person who has no precise idea whither he is going. He followed the rue de la Santé and the rue Saint Jacques. He stopped in front of an old-clothes shop, removed his jacket and his vest, sold his vest on which he realized a few sous; then, replacing his jacket, he proceeded on his way. He crossed the Seine. At the Châtelet an omnibus passed him. He wished to enter it, but there was no place. The controller advised him to secure a number, so he entered the waiting-room.
Ganimard called to his two assistants, and, without removing his eyes from the waiting room, he said to them:
“Stop a carriage … no, two. That will be better. I will go with one of you, and we will follow him.”
The men obeyed. Yet Baudru did not appear. Ganimard entered the waiting-room. It was empty.
“Idiot that I am!” he muttered, “I forgot there was another exit.”
There was an interior corridor extending from the waiting-room to the rue Saint Martin. Ganimard rushed through it and arrived just in time to observe Baudru upon the top of the Batignolles-Jardin de Plates omnibus as it was turning the corner of the rue de Rivoli. He ran and caught the omnibus. But he had lost his two assistants. He must continue the pursuit alone. In his anger he was inclined to seize the man by the collar without ceremony. Was it not with premeditation and by means of an ingenious
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