The Evolution of Bruno Littlemore

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Authors: Benjamin Hale
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invisible, but his leaving was still perceived as benign. The form of these hand gestures appeared to be so wildly disparate dependent upon the gesturer that the only thing cluing me in to the fact that they essentially all had the same meaning was the fact that each provoked the same interpretation. This gesture was, of course, a “wave.” This too I learned quickly. It is really astonishing how far a communicative arsenal consisting only of a nod, a shake, and a wave can carry you; with these three signs you can say to anyone
yes, no, harm, no harm, hello
, and
good-bye
. Add to these the smile, the frown, and the finger point,and you’re practically already in basic-human-social-interaction business.
    And then a thing of terror happened. The only humans remaining in the room now were Norman Plumlee and Lydia. While Plumlee was busying himself with some end-of-day chores, Lydia picked me up from the surface of the squishy blue mat, where I had been idly spinning the colorful beads of the abacus, and carried me to another part of the room where, atop one of the long gray Formica tables, there stood: a cage. Yet another cage. Granted, this cage was much larger than the one in which I had been conveyed from the zoo to the laboratory, but it was a cage nonetheless. In it was a bowl filled with dry and unpalatable food pellets, and a voluminous bottle of water strapped to the bars on one side of the cage with a metal tube coming out of the bottom of it, from which I was expected to drink, like a fucking hamster. A fuzzy blanket and a squishy blue mat made of a material identical to the one on the floor covered the bottom of the cage. It was tall enough that I could easily stand up in it, and spacious enough that I could walk four or five paces from one end of it to another. I could see through all four sides of the cage, composed of thin steel bars. All told—yes, I had been in worse cages. But it was, goddammit, a cage.
    Lydia placed me inside the cage and shut the door and locked it. My heart didn’t so much break as drop uncontrollably through a hollow shaft in my chest like an elevator with a snapped cable.
    Dr. Plumlee joined her in looking in at me. Lydia made the same gesture of polite parting to me as the other humans had made to each other. Her wave was of the more feminine variety: with her fingers, not her hand.
    “Good night, Bruno,” said Lydia, and she and the other turned to go.
    They were leaving me. For emphasis, I repeat:
they were leaving me
.
    Whether or not they were leaving me forever, I did not know. It was then that I began to realize I would never see my family again. I would never return to the zoo. Never again would I commune with other chimps, never again would I enjoy exercising my limbs on our jungle gym, never again would I have to endure my brother’s bullying or my father’s relentless emotional abuse, nor would I ever again sit in my mother’s lap, nor ever again play with Céleste.
    I watched them leave together, Norman and Lydia: when they reached the door, Norm stretched out an arm and touched a row of things on the wall. I heard the noises
clack clack clack
, and each
clack
was followed by a section of the room going slowly, then quickly, dark. He clicked the last clack, eliminating the last source of buzzing fluorescent light. Lydia and Norm left the room, shutting the door behind them,
ka-chunk
. I heard the turning of a key in the lock. For a moment through the smoked-glass door I saw their silhouettes, their two blurry shadows facing one another, speaking. Then their voices vanished together, diminuendoing down the hallway into watery echoes punctuated by the contrapuntal rhythms of their four sneakers squeaking and scrunching on the floor, then an elevator door
bing
ing and
bong
ing and scrolling open and then shut, and then silence—and then silence.
    So there I was, Gwen—alone, in silence and in darkness and locked in a cage. That morning I had woken up, as usual, with my

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