strengthening individuals who are here in Florence and who have every opportunity to harm the Medici and incite Florence to rise up against their government.
In order to underline my conclusion, I shall say once more: It is not Piero Soderini who is the enemy of this government, but the old order. Therefore, it would benefit this government to assail the old order, not Soderini. Some individuals who pander both to the populace and the Medici are very hostile to Soderini and would welcome the opportunity to denigrate him so that they can cast off the burden they bear with the people for having been its enemy. But they are doing this for themselves, not for the Medici, nor for those who wish to stand by the Medici in good and bad fortune.
I also wish to clarify this matter in another way. There are some citizens who flock to the Medici because they are anxious for two things: not to be harmed by the Medici by distancing themselves from them, and that if the old order were to return with Piero Soderini in power, not to be exiled from Florence by him. Presenting Soderini as an evil man, so as to make him hated by the people, lessens their fear of him. These citizens hope to succeed to his position should the old order return. In this sense they have less need to support the Medici, and more to hope for by distancing themselves from them. How this is contrary to the benefit of the Medici is plain to see, because the Medici cannot remain in Florence should the old order return, with or without Soderini. Those individuals who want the old order restored would be exiled if Soderini returns, but if the old order is reestablished without Soderini, they will remain in Florence and thrive. This is why they wish to destroy Soderini’s standing, so that they can strengthen their own faction, not that of the Medici. This is definitely not to the Medici’s advantage. In fact, it is in every possible way most harmful and dangerous for both the House of Medici and its government, as it removes the muzzles from many mouths that will surely and most readily bite them.
32. Machiavelli is referring to the faction of aristocrats.
L ITERATURE
Today Machiavelli is considered a giant of political philosophy, his most widely read works being The Prince and The Discourses , neither of which had been published in his lifetime. In his day, however, Machiavelli was particularly appreciated as a writer of elegant prose and well-crafted tales, a successful playwright, and an original and accomplished poet. A great contemporary of Machiavelli, Mateo Bandello (who wrote the tale of Romeo and Juliet), remembers Giovanni de’ Medici asking Machiavelli to entertain the company with one of his delightful “novelle.” (Unfortunately, “Belfagor” is the only one that has come down to us). This section offers a glimpse of Machiavelli’s literary range.
R ULES FOR AN E LEGANT S OCIAL C IRCLE
“Rules for an Elegant Social Circle” stands out among Machiavelli’s preserved works for its biting satire of Florentine mores of the early sixteenth century. It is uncertain when Machiavelli wrote this piece, but as Michelangelo’s statue of David is mentioned in the text, it would have been after 1504, which was the year the statue was erected in the Piazza della Signoria .
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A circle of ladies and gentlemen would gather for soirees where they often did amusing things, but often dull things as well. They had not found a way to make the amusing more amusing or the dull less tedious, for though they sometimes thought up little pranks, they never made the effort to carry them out. Finally a quick-witted member of the circle who had some experience in the ways of the world took it upon himself to organize—or I should say codify—some rules for these soirees, so that everyone could contrive this or that diversion for the amusement of a lady, a gentleman, or perhaps even both, but then also execute it. It was therefore decided that the circle would submit to
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