has powerful friends.”
“Friends?” Orsati shook his head skeptically. “If you’re involved, there’s more to it than that.”
“You are very wise, Don Orsati.”
“The macchia has no eyes,” the don said cryptically.
“I need his name,” Gabriel said quietly. “He’ll never know where I got it.”
Orsati picked up his glass of the bloodred wine and lifted it to the sun. “If I were you,” he said after a moment, “I’d talk to a man named Marcel Lacroix. He might know something about where the girl went after she left Corsica.”
“Where can I find him?”
“Marseilles,” replied Orsati. “He keeps his boat in the Old Port.”
“Which side?”
“The south, opposite the art gallery.”
“What’s the boat called?”
“Moondance .”
“Nice,” said Gabriel.
“I can assure you there’s nothing nice about Marcel Lacroix or the men he works for. You need to watch your step in Marseilles.”
“This might come as a surprise to you, Don Orsati, but I’ve done this a time or two before.”
“That’s true. But you should have been dead a long time ago.” Orsati handed Gabriel the talisman. “Put it around your neck. It wards off more than just the evil eye.”
“Actually,” replied Gabriel, “I was wondering whether you had something a bit more powerful.”
“Like what?”
“A gun.”
The don smiled. “I have something better than a gun.”
G abriel followed the road until it turned to dirt, and then he followed it a little farther. The old goat was waiting exactly where Don Orsati had said it would be, just before the sharp left-hand turn, in the shade of three ancient olive trees. As Gabriel approached, it rose from its resting place and stood in the center of the narrow track, its chin raised defiantly, as if daring Gabriel to attempt to pass. It had the markings of a palomino and a red beard. Like Gabriel, it was scarred from old battles.
He inched the car forward, hoping the goat would surrender its position without a fight, but the beast stood its ground. Gabriel looked at the gun Don Orsati had given to him. A Beretta 9mm, it was lying on the front passenger seat, fully loaded. One shot between the goat’s battered horns was all it would take to end the standoff, but it was not possible; the goat, like the three ancient olive trees, belonged to Don Casabianca. And if Gabriel so much as touched one hair on its wretched head, there would be a feud, and blood would be spilled.
Gabriel tapped the car horn twice, but the goat did not budge. Then, sighing heavily, he climbed out and attempted to reason with the beast—first in French, then Italian, and then, exasperated, in Hebrew. The goat responded by lowering its head and aiming it like a battering ram toward Gabriel’s midsection. But Gabriel, who believed the best defense was a good offense, charged first, flailing his arms and shouting like a madman. Surprised, the goat gave ground instantly and vanished through a gap in the macchia .
Gabriel quickly started back toward the open car door but stopped when he heard a sound, like the cackling of a mockingbird, in the distance. Turning, he looked up toward the ocher-colored villa anchored to the side of the next hill. Standing on the terrace was a blond-haired man dressed entirely in white. And though Gabriel could not be certain, it appeared the man was laughing uncontrollably.
9
CORSICA
T he man awaiting Gabriel in the villa was not a Corsican—at least he had not been born one. His real name was Christopher Keller, and he had been raised in a solidly upper-middle-class home in the posh London district of Kensington. On Corsica, however, only Don Orsati and a handful of his men were aware of these facts. To the rest of the island, Keller was known simply as the Englishman.
The story of Christopher Keller’s journey from Kensington to the island of Corsica was one of the more intriguing Gabriel had ever heard, which was saying something in itself. The only
Anya Richards
Jeremy Bates
Brian Meehl
Captain W E Johns
Stephanie Bond
Honey Palomino
Shawn E. Crapo
Cherrie Mack
Deborah Bladon
Linda Castillo