myself.” She smiled.
Lily narrowed her eyes. She didn’t believe Mabel was insincere, and yet this speech had a prepared quality to it. “You know,” Lily said, “sometimes you talk like a person in a book.”
Mabel eyed Lily for a second, then laughed. “That’s what happens when you read too many.” She paused and said, “I dreamt about the play last night, that I auditioned and was given the part of Bottom the Weaver.”
“Bad casting,” Lily said.
“Well, that’s what I thought in the dream, a part of me rebelled, thought it was unfair and ridiculous. Then I decided it was a good part, and I’d make the best of it. It was one of those wandering dreams, you know, with hallways and stairs and doors that go on and on.”
Lily nodded. “I’ve had those.”
“I was carrying around the Ass head. At first it was very light, and then it got heavier and heavier.”
Lily imagined the papier-mâché head she had seen Mickey Berner working on in the prop room for Oren Fink, and she saw the unpainted form in Mabel’s arms.
“Then it started to bleed.”
“The head?”
Mabel nodded.
Lily changed the image in her mind to a real donkey head with fur. “Was it horrible?”
“No, it was just a fact.” Mabel removed her reading glasses and let them hang from their chain around her neck. “You were in the dream,” she said. “You were in one of the rooms. I didn’t know which. I couldn’t find you.”
Lily didn’t meet Mabel’s eyes. She felt embarrassed for some reason and stared at the bookshelf. After a couple of seconds she said, “Sometimes I remember a little thing, like a picture or part of a conversation, and I think it really happened, and I try to remember, and then I realize it was a dream.”
Mabel straightened her gray blouse and began muttering to herself. “Lost youth, of course, bottom, blood. It’s absurd, really, no subtlety at all.”
Lily had no idea what Mabel was talking about. The woman leaned back in her chair. “There was a man standing outside Berman’s for a long time last night. He was under the awning in the shadows, so I couldn’t get a good look at him, but he parked himself there and didn’t leave for a long time.”
“I heard someone,” Lily said.
“I was sitting by my window, as I often do when I can’t sleep or work, just staring out into the street. Usually there’s not much to see, a few drunk kids, a car or two, that deaf man riding by on his bicycle, but last night this man was there, holding vigil under the awning, and I couldn’t help thinking he wanted something. He looked up at me several times, or so I thought. It’s a wide street. I never saw his face. Then I fell asleep in the chair. When I woke up, he was gone, but our neighbor was there, standing in his window just like the other night, without the musical accompaniment. He stood there for, oh, five minutes, and I thought to myself, something’s finally happening on this street, not an event, exactly, but the preamble to an event—two men just watching and waiting. There’s something in it.” Mabel looked at Lily intently for several seconds. “He’s very good-looking, isn’t he?” She paused. “Our neighbor.”
Lily stared back at Mabel to see if the comment was directed at her or was just a general statement. She couldn’t tell. “I guess so.”
Mabel smiled at Lily. “I’ve always cultivated male beauty. I don’t discriminate. I never had a type. I liked them short and tall, thin and stocky—not fat, although there was a fat man once I found very sexy. Of course he was brilliant, really brilliant, and bulk suited him, like Ben Jonson—a big brain in a big body. Dark, light, bearded, shaven, muscular or smooth and skinny.” Mabel sighed. “I’ve fallen for them all. In general, I suppose, stupidity has always alienated me, but there was a stupid boy I met in an elevator many, many years ago that made me weak in the knees.”
“How did you know he was
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