Three nights? Iâve been asleep for three nights?
â Aye, you have. Worried sick we were, yeah? Helenâs gone off to pick up her baby and see if she can score some amphet, bring you round, yeah?
â Donât need it, man. Cup of teaâll do.
Rhys makes tea and Ronnie goes groaning up to the bathroom and uses the toilet and swills his face. Feels alive again, or begins to. He drinks his tea and his co-soldiers tell him of their worries and their activities while he was asleep which, it seems to Ronnie, involved drinking beer and vodka and watching a lot of TV and waiting for him to wake up. He strokes the cat who offers him her arse and he eats some beans on toast and drinks more tea and then suddenly there is a hurry on the three of them, a hurry to get to their homes and see their parents and siblings before they ship out.
â To Eye-rack, man! Kill some fucking ragheads, yeah? Gunner be the nuts!
Rhys raises his arms above his head and the sleeves of his shirt slip down to expose his tattoos, Chinese symbols, âwarâ on his left arm and âpeaceâ on his right because thatâs meaningful and says something about the terrible duality of the human condition. Robert mirrors his movement, revealing the lionâs head on his deltoid. Heâd noticed, once, that Robbie Williams has that design and he thought it looked cool and original and individual.
â Weâre the Queenâs Dragoon Guards, man, Welsh Cavalry! Weâre mean and reliable! Weâre a fucking Volvo!
The three soldiers hug each other and slap each other on the back and Robert finds a piece of paper and a pen on the mantelpiece and they leave a note for Red Helen and exit the house. Into the village. Where nothing moves anymore.
â Told you we shouldâve gone to âBeefa, Ronnie says. â Three nights, man. Canât believe I slept for three nights.
â Aye, well, you wonât be getting much sleep over there, man, will yeh? Rhys grins. Ronnieâs insides give a little lurch. â Not with all them sandstorms, yeah? And bombs and everything.
No sleep or too much sleep. No sleep or an end-less sleep.
â Tell yer what, tho, Ron, Robert says. â You was having some mad dreams, man. Twitching all over the bloody place you were. And making funny little noises. What was going on in there, then?
He taps Ronnieâs head with a stiff finger. Ronnie looks inside his own head and sees very little. A lot of faces. A fixed grin which makes him feel a bit queasy. Limbs torn from bodies, separated limbs with ragged ends. He scratches at his left forearm with the fingers of his right hand; the tattooâs still healing. He wanted to go to Iraq with some sign of individuality on him, some indelible sign of his own autonomy, his own uniqueness. He didnât want to be bleached into total anonymity by the army, the great faceless machine, so a week or so ago he got himself a tattoo â a Celtic knot on his forearm. Hasnât healed properly yet.
â Dunno, he says. â Just dreams, yeah? They mean fuck all. Just dreams, like, thatâs all.
Theyâve left the house of Red Helen and visions and now they leave the village. Soon theyâll leave their own villages and towns. Soon after that theyâll leave the country, and soon after that, Ronnie will leave the world.
The Dream of Max
the Emperor
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Our man Max lives and works in the capital city, which is to say that he sells illicit drugs and stolen goods to the section of the conurbationâs populace which is forever hungry for such things. He has a retinue of men who are willing, eager even, to use violence and intimidation in order to protect his business interests; sometimes, and out of Maxâs hearing, they will refer to him as âthe Emperorâ, in reference half-fond, half-mocking to his aristocratic carriage and mien. The Emperor, theyâll say, he
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