the all too human and the self-transcendently animal. Descent is always easy, and in this case there would be plenty of casuistry to lubricate the slide, and, after the bottom had been reached, all the absolution a girl could ask for.
A few months later there was an embarkation in form. Frankly, it was a little disappointing. Why couldn’t he have been content with the widow?
For Philippe, meanwhile, eventless and inner bliss had given place to the frightening reality of passion avowed and reciprocated, to the long-drawn torments of moral struggle, to prayers for strength, to vows that she would never yield, and at last, in a kind of despair, as though she were throwing herself over a cliff, to surrender. Surrender had brought with it none of the things she had imagined it would bring. Instead, it had brought the revelation, in her archangel, of a demented brute and the discovery, in the depths of her own mind and body, at first of the predestined victim, the suffering and therefore happy martyr, and then, suddenly, apocalyptically, of an alien no less unlike herself than that ferocious embodiment of passion had been unlike the eloquent preacher, the witty and exquisitely polished humanist with whom originally she had fallen in love. But falling in love, as she now perceived, was not the same as loving. It was as an imagination that one fell in love, and what one fell in love with was only an abstraction. When one loved, one loved a complete existence and loved it with one’s whole being, with the soul and every fibre of the body, with the self and this other, this new-found alien beneath, beyond and within the self. She was all love and only love. Nothing but love existed—nothing.
Nothing? With an almost audible snigger, Fate sprung the trap she had been preparing for herself. And there she was, pinned helplessly between physiology and the social order—pregnant but unmarried, dishonoured beyond redemption. The inconceivable had become the actual; that which had been out of the question was now a fact. The moon waxed, hung for a glorious night or two in its full splendour, then waned, waned, like the last hope, and disappeared. There was nothing for it but to die in his arms—to die, or if that were impossible, at least forget for a little and be someone else.
Alarmed by so much violence, such a recklessness of self-abandonment, the parson tried to modulate her passion into a lighter and less tragic key. He accompanied his caresses with apt quotations from the livelier classics. Quantum, quale latus, quam juvenile femur! 1 In the intermissions of love he told improper stories from the Dames Galantes of Brantôme, he whispered into her ear a few of the enormities so diligently catalogued by Sanchez in his folio on matrimony. But her face never changed its expression. It was like a face in marble, a face on a tomb, closed, unresponsive, pure even of life. And when at last she reopened her eyes, it was as though she were looking at him from another world, a world where there was only suffering and a fixed despair. The look disquieted him; but to his solicitous questioning her only answer was to lift her hands, catch him by his thick black curls and pull him down to her mouth, to her proffered throat and breast.
Then one day, in the middle of his story about King Francis’s drinking cups for debutantes—those flagons engraved on the inside with amorous postures, which revealed themselves a little more completely with every sip of the concealing wine—she interrupted him with the curt announcement that she was going to have a baby, and immediately burst into a paroxysm of uncontrollable sobbing.
Shifting his hand from the bosom to the bowed head and changing his tone, without any transition, from the bawdy to the clerical, the parson told her that she must learn to bear her cross with Christian resignation. Then, remembering the visit he had promised to pay to poor Mme. de Brou, who had a cancer of the womb and
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