The Day of Creation (Harper Perennial Modern Classics)

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Authors: J. G. Ballard
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course. The huge root of the forest oak lay beside the cavity from which the tractor had dislodged it. The black bull’s head, like the crown of a minotaur with its snake-like roots, the primal deity of the river, was now covered by a swirl of brown water, beer cans and aerosol cylinders. A steady current moved among the mounds of earth, flowing from a secondary source in the overgrown terrain to the north of the airstrip. Two hundred yards away, a small arm of the stream moved through the scrub, its green back already attracting two kingfishers that leapt from branch to branch of a baobab tree. By dislodging the dead oak from its bed, I had released a flow of water from an underground reservoir beneath my feet, and the hydraulic vacuum had cracked the natural containment wall. I assumed that the weight of the airstrip itself was expressing this trapped fluid, perhaps from a relic of the original water table of Lake Kotto.
    Angry voices crossed the airstrip, an altercation that moved like a skidding stylus from French to German to Sudanese. Between the parked Dakota and the control tower Sanger had set up his aid station and television studio. A plastic tent with a transparent window flap served as the control booth. A portable generator behind the tower throbbed quietly in the sun and fed its current to the monitors within the tent. On the two screens mounted on a card table I could see a distant image of the journalists remonstrating with Sanger. Their exasperated gestures were carried from the unmanned camera fixed on its tripod in front of them, along a land-line to the twenty-foot-high local antenna secured to the roof of the control tower.
    His safari suit crumpled after an unsettled night, Sanger was trying to pacify the journalists, while the Dakota’s pilot watched from the rice-sacks that lay slackly in the sun like the carcasses of a dream. The bookish young Indian, Mr Pal, stood at Sanger’s elbow, doing his best to interpret for him, while Miss Matsuoka strode about moodily in her flying suit. The remaining members of the team leaned against sections of the satellite dish, watching this quarrel with dour expressions, extras in a dubious film production cut short by lack of funds. Only Captain Kagwa seemed in good spirits. He gave a light-headed salute to the driver of the truck bearing my two suitcases, and then beamed serenely at the forest around the airstrip, as if expecting to see his magnified image projected upon the green canopy.
    I assumed that his interview had taken place, transmitted on the local antenna’s weak signal to an audience consisting, literally, of the birds in the trees – and, no doubt, the sergeant in the police barracks recording the occasion on the looted video. Relayed later from the government station in the capital, it would guarantee Kagwa’s promotion to Major, if not Colonel …
    Happy to leave him to his new fame, I stepped from the edge of the runway and climbed down to the stream. More than fifteen feet wide, it slid through the undergrowth, barely visible in the long grass. Fed by the main channel, pools of waters had formed in the waste ground, and now carried a regatta of used condoms, jettisoned by the French oil-company workers who had built their camp beside the airstrip. Looking down at this floating parade, I felt as if I had conjured up, not just this miniature river that would irrigate the southern edge of the Sahara, but the entire consumer goods economy which would one day smother the landscape in high rises, hypermarkets and massage parlours. As the scummy debris drifted past, I could almost believe that I had invented Professor Sanger himself, somehow conjured this third-rate television producer to serve as its presenter, the impresario of rubbish …
    I walked along the bank, even more curious now to find the source of the stream. One of Kagwa’s soldiers stood naked in the long grass, washing his uniform in the water. He draped his camouflage jacket and

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