hesitation. He watched the hangman with fascination as he filled his pipe. Pipe-smoking was a completely new fashion. The mason had never met anyone except Kuisl who did anything like it. To be on the safe side, the Schongau priest had declared it a vice in one of his last homilies.
“We’re just renovating the church,” Baumgartner continued finally. “Both on the outside and on the inside—the whole balcony. It was close to collapsing. The church is said to be a good five hundred years old.”
“Did you notice anything out of the ordinary during your renovations?” Kuisl asked. “Drawings? Figures? Old paintings?”
The mason’s face brightened. “Yes, there was something unusual! Up in the balcony, the wall was full of bright-red crosses. The whole left-hand wall was covered with them!”
“What did they look like?”
“Well, different from the cross of Our Savior. They were rather…May I?” Baumgartner pointed to one of the sharp knives on the table. When the hangman nodded, Baumgartner carved a cross into the wood. The arms were of equal length and became narrower toward the center. The mason nodded with satisfaction. “They looked something like that.”
“And what did you do with the crosses?” Kuisl continued.
“It was strange. The priest told us to paint them over. That was shortly after he got so upset about the cellar.”
“The cellar?” The hangman frowned.
“Well, on New Year’s Day, while moving the slabs, Johannes Steiner noticed that under one grave marker there was a hollow space. We then moved the cover aside. We needed three men to do that—it was a huge thing—and from there, steps led down below.”
Jakob Kuisl nodded, lighting his filled pipe with a glowing wood chip. Baumgartner looked at him with growing enthusiasm.
“Did you go down into the cellar, too?” Kuisl asked, puffing on his pipe.
“No…Only the priest went down, and soon he came back all excited. The next day he told us to paint over the crosses, and we did.”
The hangman nodded slowly. “Are you sure none of you went down?” he asked again.
“I swear by the Virgin Mary, no!” Baumgartner cried. “But why is that so important?”
Jakob Kuisl stood up and walked to the door. “Forget it. You can go now.”
Peter Baumgartner straightened up, relieved. He didn’t know why Kuisl was asking all these questions, but at least it had saved him half a guilder. Besides that, he was happy he could leave the executioner’s house. He was sure he could see evil lurking in every corner of the room. Still, he was itching to ask just one last question.
“Kuisl?”
“What do you want to know?”
“This pipe of yours. How does it taste? It smells…well, really not so bad.”
Jakob Kuisl expelled a huge cloud of smoke that almost completely enveloped his head.
“Don’t get started with it,” his voice rang out from behind the cloud. “It’s like with drinking. You enjoy it, but you can’t ever quit.”
When the mason had left, Magdalena came down the narrow staircase into the main room. After the strenuous night, being thrown out of the Hainmiller house and meeting Benedikta Koppmeyer, she had lain down for a rest and had had weird dreams in which Simon and Benedikta rode past her in a sleigh, laughing and waving. Simon’s face was a grotesque mask that dissolved and dripped to the ground like melting snow. She was finally awakened by Peter Baumgartner’s scream. Through the thin floor, she overheard the rest of their conversation.
“Why do you think the priest wanted to have the crosses painted over?” she asked as she descended the staircase. “Do you think they had something to do with the crypt? And by the way, what did you find down there, anyway?”
“It would be better for you not to know,” her father grumbled, “or you’ll just start snooping around again.”
“But, Father,” she said with a look that had always bewitched him since she was a little girl, “if you don’t
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